True
In Coleridge's Biographia Literaria, he says that it is legitimate to call any composition composed using rhyme and meter a poem. In the text he says, "If a man chooses to call every composition a poem, which is rhyme, or measure, or both, I must leave his opinion uncontroverted." He goes on to repeat this when he says, "the composition will be a poem, merely because it is distinguished from composition in prose by metre, or by rhyme, or by both conjointly." In both of these he asserts that a poem is a composition with rhyme and meter.
Answer: A) Like an Easter egg with wings on the side
Explanation: The poem "Easter Wings" is a good example of a "shape" or "pattern" poem, which is the term used to describe the practice of writing poems whose physical shape mirrors their theme.
If you turn the poem sideways, you can see that the structure in which the poem has been written has the shape of two pairs of angel wings.
The story of Broken Chains was written by Gary Soto. Gary Soto was born and raised in Fresno, California, the setting of many of his stories, poems, and autobiographical pieces. In his writing, Soto tries to recreate the sights and sounds of the Mexican American neighborhood in which he grew up.
The story is about Alfonso's first date. The story presents problems like the ones many of us face. He worries a lot about how he looks, and everything seems to go wrong.
Here we have a paraphrased version of the passage where it is shown that he had insecurity issues since he was a little kid.
<em>When he was four years old, he decided to face the situation and make it to Sandra's house, walking doubtfully and slowly as walking in the water up to his waist. His face was red by the shame. He wondered at how things could go wrong in this his first date, Sandra would probably laugh at him. </em>
This excerpt from "Broken Chain" includes details that could illustrate a paragraph about conflict, internal conflict actually:
1) He liked what he saw until he smiled and realized for the first time that his teeth were crooked, like a pile of wrecked cars. He grew depressed and turned away from the mirror.
For the introductory paragraph, you should start by introducing broad ideas about the subject at hand. In this particular case, it would be a good idea to provide some background information about Sonia Nazario and maybe a little bit of information about his biographies and editorials. Nothing in your introductory paragraph should compare or contrast the two at all...you should save this for your body paragraphs. Make sure your thesis statement is the very last sentence of your introductory paragraph...this is the most important thing when it comes to most English teachers.