Jean-Auguste-Dominique Ingres was a French neoclassical
painter and the acknowledged leader of the neoclassical school in France. He
was a talented painter and draftsman known for his smooth textures in paintings
and drawings. The texture was so smooth that even appeared to be illusionistic.
As with consequently several of his paintings, Ingres relishes in catching surface textures: the elegant velvet; the fresh luster of the silk, browning the flesh; the braided tassle of the cushion; the glossy coating on the wood texture, all crocheting throughout and animate the appearance. See the way, for instance, the shawl points us to her face or the white muslin wraps her hair, billowing off to the right so as to equalize the momentum of her left arm.
The Romans adopted the Greek's use of realistic features when making human art. Both Greek and Roman human art could be very unforgiving, meaning that every blemish on a human's face was included in a Roman sculpture or painting.
this is more of an opinion type of thing but i think when its soft enough to bite into (but obviously with a little bite because nobody likes mooshy pasta) and when it's not too hard to put a fork through
