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Maksim231197 [3]
4 years ago
7

What promises do Stanton and Orwell make to their audiences and how does each author fulfill his promise with regards to the nar

rative
English
1 answer:
melisa1 [442]4 years ago
3 0

Answer:

Stanton promises his audience that the story he narrates is worth their time and that they are free to work out the meaning.  Similarly, Orwell promises his audience freedom to decide and imposes upon them the responsibility to learn for themselves.

Stanton fulfills his promise to his audience by making them to "work for it without them knowing they are working," so that they can be part of the story.   In his own words, he says, "People like to figure things out but the magic is having your audience thinking without them knowing they are doing it."

On the part of Orwell, he tells his story and allows his audience to read meanings into the narratives, the meanings that they have chosen.  He makes his voice clearly heard, but believes that "you can take a horse to the stream, but you cannot force it to drink."

Explanation:

Andrew Stanton is an American film director, screenwriter, producer and voice actor, renowned for his films, including Finding Nemo and its sequel Finding Dory, WALL-E.

George Orwell is an English prolific novelist famous for his Animal Farm (1945) and 1984 (1949), among others.  He also authored many poems.

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Answer:

I believe that the best answer to the question here: What does this excerpt from the end of "The Yellow Wallpaper" tell the reader, would be, C: The narrator believes the window bars will not allow her to escape.

Explanation:

"The Yellow Wallpaper" is a short story by Charlotte Perkins Stetson about a woman who has to spend her entire summer vacation cooped up in a mansion, and particularly an old nursery room papered with yellow wallpaper, with her husband John, his sister and their child. Although at first the woman, who is the narrator, tells us that she despises the wallpaper, as time goes by, and since she is forced to remain where she is, she starts to develop a sort of interest in it as she starts to see that there is much more to the paper than she first thought. Images, and then figures, start to appear, until she is sure she sees a woman´s shape behind the jail-like pattern. At the same time, she starts to see that the woman from the paper also appears on the garden outside, creeping. The appearance of disappearance both in the pattern, or the garden, will depend entirely on the light (sunlight or moonlight), and depending on the reflections on the windows, that woman will turn into many. At the end of the story the narrator and the woman from the pattern become one but they realize they cannot escape, as the windows are barred and cannot be opened. So, it almost seems like she tells herself that even if she had wanted to, she won´t because she cannot open them, it would be misunderstood by others and besides, she could see multiple women out there, creeping, like she did. It almost becomes like the wanderings of a child who knows she cannot get away with what she wanted to do originally, but still gives herself justification for not trying it. That is why the best choice is C.

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