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s344n2d4d5 [400]
4 years ago
11

The cloak is a prominent feature of Prospera's costume. What does this cloak add to her characterization? Is it consistent with

the descriptions in the text?
English
1 answer:
SCORPION-xisa [38]4 years ago
6 0

Answer :

In this adaptation of "The Tempest", Prospera is a magician by profession. She is accused of practicing witchcraft. The cloak is a prominent feature of Prospera's costume and this suits the attire she dons for her role as a magician.

Yes, it is totally consistent with the text as the text mentions that Prospera has some specific controlling powers over nature and specifically animals.

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Answer:

to help explain why he was so driven to discover the Titanic

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The author most likely include this quotation from the Sea Rovers meeting to help explain why he was so driven to discover the Titanic.

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What file is being called by this img tag
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3 years ago
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3. Eating large quantities of red meat is unhealthy; in fact to be truly healthy, a vegetarian diet is preferable to one that in
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The unstated assumption in this argument is "don´t eat meat" and if you do it "try to make it in small quantities".

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What do the vegetables in Mrs. panouvong's represent to the family
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Paragraph about theater
NikAS [45]
The drama is a very ancient form of art, and reached a high pitch of excellence in ancient Greece, which produced such great dramatists as Aeschylus, Sophocles, Euripides and the satirist Aristophanes. The Greeks were passionately fond of the theatre, and crowded to see and hear the plays of these great poets.

In England, the drama came into full flower in the age of Queen Elizabeth, and the number of able Elizabethan dramatists, of whom Shakespeare was the greatest, shows what an intense interest the English people took in the theatre.

The actual theaters in those days were very primitive, and scarcely any scenery was used; but the dramas produced are the greatest in English literature.

Theatres today are places of amusement, resorted to, as a rule, in the evening after the work of the day. The buildings are large and comfortable, and the scenery is magnificent and real­istic.

The scenic arrangements delight the eye, the music charms the soul, and the situations created by the plot are such as to arouse the interest, and make us lose the sense of our own troubles and worries in sympathy with the joys and sorrows of those who are impersonated upon the stage.

Theatres being looked upon, in modern times, largely as places of recreation, the public demands amusement, “and those representations which are of a cheerful and joyous nature, those plots which involve the characters in trouble and leave them in possession of unalloyed happiness, are the most popular, even though in many cases they are untrue to life. There is, however, another side to the question. The English stage was most flourishing in the time of Queen Elizabeth. The dramatists of that day looked upon amusement as only a part of their duties. Many men of lofty and penetrating intellect used the theatre as a medium for the expression of their thoughts and ideas.

Their aim was to ennoble and elevate the audience, and imbue it with their own philosophy, by presenting noble charac­ters working out their destiny amid trials and temptations, and their pictures, being essentially true to nature, acted as powerful incentives to the cultivation of morality.

Shakespeare stands pre­eminent among them all, because by his wealth of inspiring thought he gives food for reflection to the wisest, and yet charms all by his wit and humour and exhibits for ridicule follies and absurdi­ties of men.

It is a great testimony to the universality of his genius that, even in translations, he appeals to many thousands of those who frequent Indian theatres, and who differ so much in thought, customs and religion from the audiences for which he wrote.



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