Answer:
I'd say this is a very asymmetrical artwork with asymmetrical items! The proportion of the items are very inconsistent.
Explanation:
There is repetition of items, such as the boats, but they are not symmetrical to one another in the composition of this artwork. The cliffs only appear on one side of the artwork (right). it is a very asymmetrical artwork.
Asymmetrical- a design that has unequal visual weight on either side
Hope this helps!
Answer:
in short way answer
some differences between two are print news involves paper and or a computer broadcast news in world people and either TV or a radio
Explanation:
but answer is 100percent correct
The Afro-Cubans were a Latin jazz band founded by Machito in 1940; often billed as Machito and his Afro-Cubans. Their musical director, and an important musical innovator, was Mario Bauzá, Machito's brother-in-law.
The Afro-Cubans combined Cuban music with orchestrations derived from swing. As well, the Afro-Cubans played with and incorporated the music of many important figures in contemporary jazz, including Charlie Parker, Dizzy Gillespie, Flip Phillips, and Buddy Rich; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York.
After making some early 78s for Decca, the Afro-Cubans began to increase in popularity towards the end of World War II, appearing with—and no doubt influencing -- Stan Kenton's orchestra. (Machito played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauzá's urging, Machito's band featured a galaxy of American jazz soloists on its recordings from 1948 to 1960, including Charlie Parker (heard memorably on "No Noise"), Dizzy Gillespie, Flip Phillips, Howard McGhee, Buddy Rich, Harry "Sweets" Edison, Cannonball Adderley, Herbie Mann, Curtis Fuller and Johnny Griffin. Playing regularly at New York's Palladium, Machito's band reached its peak of popularity during the mambo craze of the 1950s, survived the upheavals of the '60s and despite the loss of Bauzá in 1976, continued to work frequently in the '60s, '70s, and early '80s when the term "salsa" came into use. The band recorded for Pablo (in tandem with Gillespie) and Timeless in its later years.
Answer:
Jus try ur best and train harder for the next one
Explanation:
Tone is a specific pitch while cadence is the act or state of declining or sinking and a snap is a accent note that is followed by a longer one -hope this helps
