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Karolina [17]
3 years ago
11

In most African artworks including sculptures and masks artists make the entire surface shiny and sore smooth with what do Afric

ans associate this type of surface
Arts
2 answers:
aniked [119]3 years ago
3 0

I'm assuming that the answer choices are

A) Cultivated refinement  

B) Energy and vitality  

C) Immoral character  

D) Logic and order

because that's what followed the question after I googled it. Out of these choices, the answer would be A.

natulia [17]3 years ago
3 0

Answer:

Cultivated refinement  

Explanation:

Most African artworks are done in this manner because the shiny and smooth surface of the finished works is considered a sign of refinement. There are two particularly important reasons for this. The first one is that, when depicting people, this surface is associated with beauty, shine and health. The second one is that such a polished finish is considered a mark of fine workmanship and mastery of the medium. Therefore, it is evidence of the sculptor's talent.

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2) By 1666 Stradivari was producing instruments independently as well as continuing to work at his mentor's (an advisor and guide) shop, which he probably did until Amati's death in 1684. In 1667 he was married to Francesca Feraboschi and set up his own household and shop. The couple eventually had six children and two of their sons would follow in their father's footsteps as violin makers. In the decade or so before 1680 Stradivari created a wide variety of stringed instruments, including guitars, harps, lutes, and mandolins. He continued to follow Amati's basic design for violins, but during this time he began experimenting with improvements in tone and design.

The Stradivari family moved to a new house at No. 2, Piazza San Domenico in 1680, and the building would serve as the violin maker's home and workshop for the life. Here he matured in his art and created his greatest works, most notably the violins that set the standard for perfection in the music world. In the 1680s he continued to develop his own style, moving away from Amati's design to create a more solid-looking violin made of new materials and finishes. The resulting instruments during this time created a more powerful sound than earlier violins, and musicians from outside Cremona began to seek out instruments from his workshop as his fame grew. Upon Amati's death in 1684, Stradivari was considered the city's greatest violin maker.

Despite Stradivari's considerable success with his designs, he continued to look for ways to improve his violins. He succeeded in finding a deeper, fuller tone that was quite distinct from the lighter sounds of other Cremona instrument makers. Stradivari's wife died in 1698, and she was honored with a large funeral. In the summer of the following year, the craftsman married his second wife, Antonia-Maria Zambelli. He had five more children from this marriage, but none of them ever entered the instrument-making business.

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