The passage explains how<u> Elizabethans believed that</u><u> divine intervention </u><u>caused</u><u> imbalanced humors.</u>
Option C is correct
<h3>Central idea :</h3>
The central idea of a passage or story is that the most important concept that the author wants to get across to the reader. The central idea could also be stated directly. The author tells you the most point. The central idea might not be stated—it may be implied. Also referred to as the main idea; this is the very important thought of the whole text and tells the reader the author's main point in writing. These are facts, information, examples, etc, that a full understanding of the central idea
<h3>
How do authors develop the central idea of the passage?</h3>
When the author quotes an expert or witness to prove his central point further. When the author uses a specific statistic about the article to further show his bias. When the author uses a specific tone to show emphasis on a certain part of the text to further show how he feels on a certain subject.
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Background information is belong for the the information for the setting
A
Not correct. She could have been using references to anything. Not all her references are from literature. Southern Bitter Wormwood is a reference to the wormwood plant which is medicinal in nature and it is very bitter.
C
Maybe. But there's a better answer. It's not her personality we are drawn to although it is quite bubbly if this passage is any kind of indication. It is the joy she takes in recognizing that Beowulf likes a good drink and he wanted her to join him and she was delighted by the invitation.
D
She could have been talking about anything that engaged her. It just happened to be mostly about the classics.
B
This is the best answer. C and D are close, but it really is B that we are attracted to. We have our eyes opened to the grand people in books. More than that we feel her joy in Beowulf, her polite tea conversation with Oliver Twist, her astonishing acceptance of the meaning of Sydney Carton's statement at the end of a Tale of Two Cities.