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exis [7]
2 years ago
15

Think about scout's fight with francis and atticus' message to uncle jack about children being able to "spot an evasion quicker

than adults." what do these two say about having scout, a child, as the narrator of this story?
English
1 answer:
olya-2409 [2.1K]2 years ago
8 0

In "To Kill a Mockinbird," by Harper Lee, the narrator is Scout, a five yearl-old girl in rural Southern America. Through her eyes, readers can see a story of racism and prejudice with her innocent and thoughtful view, without any lies. Her father Atticus has raised her wisely to encourage her individuality, and is convinced that she is absolutely able to realize when somebody hides something. Her experiences facing good and evil situations eventually turn her into a mature young girl by the end of the story.


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Critical essay on hamlet
ololo11 [35]

<u><em>Answer:</em></u>

An essential scene in Hamlet is the "play inside a play," intended to ensnare Claudius. In any case, a significant number of the characters are "play-acting," and numerous different scenes reverberation the overwhelming subject of figment and misleading. Follow the theme of acting, appearing, deception, and duplicity rather than earnestness, being, reality, and trustworthiness, as these characteristics are proved all through the play.  

<u>Thesis Statement: </u>Many of the characters in Hamlet are associated with deception intended to bamboozle, sell out, or crush others. The common theme of acting, appearing, dream, and misleading instead of earnestness, being, reality, and trustworthiness shows this basic deception all through the play.  

II. Act I  

A. The sentinels banter whether the Ghost is genuine or "however our dream."  

B. Hamlet discloses to Gertrude his sadness is certified: "I know not 'appears.'"  

C. Laertes and Polonius both caution Ophelia that Hamlet's words and "tenders of affection" toward her might be false.  

D. The Ghost alludes to Gertrude as "my most appearing to be a righteous ruler."  

III. Act II  

A. Polonius trains Reynaldo to utilize indirection to figure out how Laertes is comforting himself in Paris.  

B. Rosencrantz and Guildenstern, and Polonius and Claud¬ius are on the whole endeavoring to discover through insidious methods what is pestering Hamlet.  

C. Hamlet takes note of the flighty idea of the people, who once scorned Claudius, yet who currently pay the consequences for his "image is pretty much nothing."  

D. Hamlet regrets that he, who has caused, can't vindicate his dad, while the performing artist can convincingly depict the feelings over fanciful characters and activities.  

IV. Act III  

A. Claudius and Polonius set Ophelia as the draw to Hamlet, to attempt to become familiar with the reason for his frenzy.  

B. Claudius alludes to the inconsistency between his deed and "[his] most painted word."  

C. Hamlet trains the Players to "hold, as 'twere, the mirror up to nature."  

D. Hamlet is absolutely legitimate with Horatio about the Mousetrap plot on the grounds that Horatio is past complimenting, or being overwhelmed by erroneousness.  

E. "The Mousetrap" and imbecilic show are "acting" or "appearing," and Hamlet's thought process in having it performed is ulterior.  

F. Hamlet tells Rosencrantz and Guildenstern that they are "playing" him like a woodwind, and are not being straightforward with him.  

G. Hamlet says his "tongue and soul in this be two-timers" as he goes to talk with Gertrude, with whom he is upset.  

H. Claudius finds that his actual musings can't offer the path to his ideal activity of asking, yet Hamlet is tricked by the presence of Claudius at supplication and does not kill him.  

I. Hamlet discloses to Gertrude that her deeds have given a false representation of her promises; he encourages her to "expect a prudence" on the off chance that she doesn't really have it.  

V. Act IV  

A. Claudius tells Gertrude of the need of influencing themselves to seem irreproachable in Polonius' demise.  

B. Hamlet proceeds with the falsification of frenzy as he prods Claudius about Polonius' cadaver and his own takeoff for England.  

C. Claudius uncovers the fencing plot to Laertes and says even Hamlet's mom will be persuaded his passing is a mishap.  

D. Claudius inquires as to whether he adored Polonius, "Or would you say you resemble the artistic creation of distress,/A face without a heart what might you attempt/To show yourself indeed your dad's child More than in words?"  

E. Claudius says they would be in an ideal situation not to endeavor the plot against Hamlet, since on the off chance that it comes up short "And . . . our float glance through our awful execution."  

VI. Act V  

A. Hamlet and Horatio, examining the similitude of all skulls in spite of the proprietor's station throughout everyday life, says not even cosmetics can shield a woman from looking simply like Yorick's skull.  

B. Hamlet reprimands Laertes' show of pain as the second rate compared to his very own anguish and love for Ophelia, and jumps into the grave additionally, with the goal that his activities coordinate his emotions.  

C. Hamlet's utilization of his dad's seal influenced the letters to have all the earmarks of being genuine.  

D. The sword battle seems, by all accounts, to be real, however, is fixed against Hamlet's prosperity.

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2 years ago
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What types of society do we live in today?
lianna [129]

Answer: We live in am egoistic, selfish, narcissistic Human society, regardless of the “ism”, ideology, political, economic system used.

Explanation: Capitalist Economy.

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2 years ago
In what lines of the poem is loneliness personified, or given human traits?
Rudik [331]

Answer:9-10

Explanation: it says that loneliness would be panting behind you .

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3 years ago
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How is a play script different from narrative writing
Dmitry [639]
<span>They are much the same. Script is the more general term, and it can be used to refer to plays and to screenplays or to any written material meant for any kind of oratory or dramatic work. Here the word script will refer to screenplays. A script is the spoken portion of a project for television, film, or other kind of recorded medium. A script contains a lot of the same kinds of material you would find in a play, like general movement/blocking, suggestions of emotional content, entrances/exits, or even technical kinds of directions related to use of cameras [Reveal, for example: a character or other object moves across the screen to show something of importance behind]. Some differences with scripts [screenplays] are that the action can be filmed at widely different locales, and over the course of weeks or months [even years, as was the case for the LOTR trilogy, filmed simultaneously over roughly a 2 year period] the action can be filmed completely out of sequence for practical ease and edited later, and usually the intention is that the final edited version is the fixed and permanent version of the project. </span>

<span>Plays are written and designed to be acted out in one physical location, with changes of scenery as appropriate. Live performers never actually perform the play exactly the same twice, and this live aspect adds palpable energy to stage performances.</span>
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An organization founded by businesses in a specific industry for the purpose of collaborating within the industry and advocating
alukav5142 [94]
The correct answer defined in the sentence above is:

<span>d. trade association
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This is usually created by businesses to make connections with other companies in the same related industry in order to strengthen their business or use networking to expand it.
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