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maks197457 [2]
3 years ago
8

If an author wanted to begin a story in a manner that broke with chronology and grabbed the reader's attention, that author migh

t
A) start at the beginning of the story, and tell it through to the end, in the order of what happened.

B) establish the main character at the beginning of the story, and then continue through the middle and to the end.

C) start with a dramatic event near the middle of the story, then discuss the things which led up to it.

D) start with a basic description of all of the main characters' physical features, and then tell what happened from the beginning to the end.

Eliminate


Submit
English
2 answers:
zalisa [80]3 years ago
4 0
I would say C. It’s what would interest me and the people I know the most.
Tomtit [17]3 years ago
4 0

The correct answer is C) Start with a dramatic event near the middle of the story, then discuss the things which led up to it.

Explanation:

One of the most common and effective techniques to avoid regular chronology is the use of in media res technique; this involves starting the narrative with a dramatic event that occurs in the middle and then continuing with the events that occurred before, and finally the events after the dramatic event.

This is the most recommended because in this way the author avoids telling all events in the way they occur, and also it catches most readers' attention as they want to discover the causes of the dramatic event and how this is later solved. According to this, the author might "Start with a dramatic event near the middle of the story, then discuss the things which led up to it".

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The question is incomplete. Please read below to find the missing content.

The answer is "He intended, he stated, to devote the relaxation of his existence to getting to know the last twenty-two letters of the alphabet".

This excerpt has been taken from "Animal Farm", written with the aid of George Orwell in 1945. "Animal Farm," tells the tale of a group of cattle that rebel against their farmer and start controlling the farm by way of themselves. in line with many, this novel is an allegory of the Russian Revolution, and the subject matters offered here reflect our personal society. One of these themes is the dearth of schooling which contributes to the vulnerability and oppression of humans. Vital figures or politicians take gain from humans' lack of knowledge that allows them to win popularity and have energy. One clear instance is Boxer, one of the horses on the farm. Although Boxer is a totally dependable comrade, he isn't very clever and he has been controlled from the very beginning by using the selfish pigs. A Boxer cannot even get past the letter 'D' from the alphabet, so, in order to support this concept of lack of training, Orwell includes this passage where the Boxer is determined to research the relaxation of the last letters of the alphabet to be smarter.

Animal Farm could be very instructional in several ways. The e-book explains that if you don't stand for what you trust in, humans will use/exploit your loyalty. If the opposite animals were extra knowledgeable, they could have stopped the swine from their egocentric dominance.

George Orwell's Animal Farm is a political allegory approximately revolution and electricity. Thru the story of a set of farm animals who overthrow the owner of the farm, Animal Farm explores topics of totalitarianism, the corruption of beliefs, and the electricity of language.

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Ano po yung conflict ng "My Father Goes to Court".
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Answer:

My Father Goes To Court (Carlos Bulusan)

When I was four, I lived with my mother and brothers and sisters in a small town on the island of Luzon. Father’s farm had been destroyed in 1918 by one of our sudden Philippine floods, so several years afterwards we all lived in the town though he preferred living in the country. We had as a next door neighbour a very rich man, whose sons and daughters seldom came out of the house. While we boys and girls played and sang in the sun, his children stayed inside and kept the windows closed. His house was so tall that his children could look in the window of our house and watched us played, or slept, or ate, when there was any food in the house to eat.

Now, this rich man’s servants were always frying and cooking something good, and the aroma of the food was wafted down to us form the windows of the big house. We hung about and took all the wonderful smells of the food into our beings. Sometimes, in the morning, our whole family stood outside the windows of the rich man’s house and listened to the musical sizzling of thick strips of bacon or ham. I can remember one afternoon when our neighbour’s servants roasted three chickens. The chickens were young and tender and the fat that dripped into the burning coals gave off an enchanting odour. We watched the servants turn the beautiful birds and inhaled the heavenly spirit that drifted out to us.

Some days the rich man appeared at a window and glowered down at us. He looked at us one by one, as though he were condemning us. We were all healthy because we went out in the sun and bathed in the cool water of the river that flowed from the mountains into the sea. Sometimes we wrestled with one another in the house before we went to play. We were always in the best of spirits and our laughter was contagious. Other neighbours who passed by our house often stopped in our yard and joined us in laughter.

As time went on, the rich man’s children became thin and anaemic, while we grew even more robust and full of life. Our faces were bright and rosy, but theirs were pale and sad. The rich man started to cough at night; then he coughed day and night. His wife began coughing too. Then the children started to cough, one after the other. At night their coughing sounded like the barking of a herd of seals. We hung outside their windows and listened to them. We wondered what happened. We knew that they were not sick from the lack of nourishment because they were still always frying something delicious to eat.

One day the rich man appeared at a window and stood there a long time. He looked at my sisters, who had grown fat in laughing, then at my brothers, whose arms and legs were like the molave, which is the sturdiest tree in the Philippines. He banged down the window and ran through his house, shutting all the windows.

From that day on, the windows of our neighbour’s house were always closed. The children did not come out anymore. We could still hear the servants cooking in the kitchen, and no matter how tight the windows were shut, the aroma of the food came to us in the wind and drifted gratuitously into our house.

One morning a policeman from the presidencia came to our house with a sealed paper. The rich man had filed a complaint against us. Father took me with him when he went to the town clerk and asked him what it was about. He told Father the man claimed that for years we had been stealing the spirit of his wealth and food.

When the day came for us to appear in court, father brushed his old Army uniform and borrowed a pair of shoes from one of my brothers. We were the first to arrive. Father sat on a chair in the centre of the courtroom. Mother occupied a chair by the door. We children sat on a long bench by the wall. Father kept jumping up from his chair and stabbing the air with his arms, as though we were defending himself before an imaginary jury.

The rich man arrived. He had grown old and feeble; his face was scarred with deep lines. With him was his young lawyer. Spectators came in and almost filled the chairs. The judge entered the room and sat on a high chair. We stood in a hurry and then sat down again.

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“I don’t need any lawyer, Judge,” he said.

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“I agree.” Father said.

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