Give two examples of labels on a pencil that would indicate soft lead

podryga [215]

The Russian navy in the year of the abortive revolution of 1905 still preserved the harsh conditions and brutal punishments of an earlier age. The Potemkin was a new battleship of the Black Sea fleet, commissioned in 1903, with a crew of 800. It was not a happy ship and some of the crew harboured revolutionary sympathies, in particular a forceful young non-commissioned officer named Matyushenko, who took a leading part in what followed. At sea on June 14th (June 27th, Old Style), the cooks complained that the meat for the men’s borscht was riddled with maggots. The ship’s doctor took a look and decided that the maggots were only flies’ eggs and the meat was perfectly fit to eat. Later a deputation went and complained to the captain and his executive officer, Commander Giliarovsky, about worms in their soup. Their spokesman was a seaman named Valenchuk, who expressed himself in such plain language that Giliarovsky flew into a violent rage, pulled out a gun and shot him dead on the spot. The others seized Giliarovsky and threw him overboard. As he floundered in the water he was shot and killed.

Others of the crew joined in. The captain, the doctor and several other officers were killed and the rest of the officers were shut away in one of the cabins. The Potemkin hoisted the red flag and a ‘people’s committee’ was chosen to take charge. The chairman was Matyushenko.

The ship made for the port of Odessa, where disturbances and strikes had already been going on for two weeks, with clashes between demonstrators, Cossacks and police. The trains and trams had stopped running and most of the shops had closed. People began to gather at the waterfront after the Potemkin arrived in the harbour at 6 am on the 15th. Valenchuk’s body was brought ashore by an honour guard and placed on a bier close to a flight of steps which twenty years afterwards would play an immortal and immensely magnified role in the famous ‘Odessa steps’ sequence of Sergei Eisenstein’s film. A paper pinned on the corpse’s chest said, ‘This is the body of Valenchuk, killed by the commander for having told the truth. Retribution has been meted out to the commander.’

Citizens brought food for the seamen and flowers for the bier. As the day wore on and word spread, the crowd steadily swelled, listening to inflammatory speeches, joining in revolutionary songs and some of them sinking considerable quantities of vodka. People began looting the warehouses and setting fires until much of the harbour area was in flames.

Meanwhile, martial law had been declared and the governor had been instructed by telegram from Tsar Nicholas II to take firm action. Troops were sent to the harbour in the evening, took up commanding positions and at about midnight opened fire on the packed crowd, which had no escape route. Some people were shot and some jumped or fell into the water and drowned. The sailors on the Potemkin did nothing. The casualties were put at 2,000 dead and 3,000 seriously wounded.

Calm was quickly restored and Valenchuk was allowed a decent burial by the authorities, but the sailors’ demand for an amnesty was turned down and on June 18th the Potemkin set out to sea. The crew were hoping to provoke mutinies in other ships of the Black Sea fleet, but there were only a few minor disturbances, easily put down. The mutineers sailed west to the Romanian port of Constanza for badly needed fresh water and coal, but the Romanians demanded that they surrender the ship. They refused and sailed back eastwards to Feodosia in the Crimea, where a party landed to seize supplies, but was driven off. The Potemkin sailed disconsolately back to Constanza again, and on June 25th surrendered to the Romanian authorities, who handed the ship over to Russian naval officers.

The incident had petered out, though it caused the regime serious alarm about the extent of revolutionary feeling in the armed forces. Its most lasting legacy was Eisenstein’s film, The Battleship Potemkin, (1925) and a riveting essay in propaganda rather than history.

More by Richard Cavendish

- See more at: http://www.historytoday.com/richard-cavendish/mutiny-potemkin#sthash.4pshxeIk.dpuf

I am not taking credit for this passage pleas don't report.

7 0

3 years ago

The question is in the image above.

Sveta_85 [38]

C I think is right——

3 0

3 years ago

What influence has Greek theatre had on Western theatre?

Vanyuwa [196]

Greek theater has made a big impact on Western theater. Actually, I have found 4 main reasons as to why.

First, the dialogues/ text play a huge part. Aristotle stated that the sort of language required of a tragedy was heightened language/ verse. The Western theatrical tradition (created by Shakespeare) owes a huge debt to the Greeks on this requirement of verse in drama.

Next, there'es the audience, obviously. This one isn't a big surprise. People can have fun performing with their friends, of course, though it isn't really a performance without an accurate audience. Greek stadiums have impacted us all, more specifically, Western theater.

Thirdly, the actors made an influence. Greek theater began with the idea that the performance was a group event whose players were known as the chorus, and their job was simply to narrate the story. Over time, first one actor emerged as the protagonist to speak solo lines, and then more "characters" stepped forward. These characters began to engage in conversation, or "dialogue," to enact rather than narrate the story. Thus, the idea that the actors don't simply tell a story but inhabit the characters and speak dialogue is an invention of the Greek theater. Though the chorus remained a part of Greek theater, the course of Western theater was forever changed.

Finally, he scenery comes into play. In the Greek theater. The actors made their entrances and exits from a building called a "skene," a term that gave rise to the Western concept of scene or scenery. By the time of Sophocles, there were actual painted backdrops to enhance the unchanging environment provided by the skene for each performance. The entrance of gods was staged by the effect of lowering the actor from the top of the skene, so that he flew above the stage. These simple devices are still employed today, and continue to be tested and developed, as the producers of the Broadway show "Spider Man" can attest. (Yes, it is spelled "skene", not scene.)

Once again, I hope I helped :)

7 0

3 years ago

This isn't really important, but... (song)

Angelina_Jolie [31]

Answer: Theres this song i have been dancing to since saterday and its a really good song but i really would'nt want tolisten to it in class unless if u can cause it has some bad words in it :< (me being an idiot) it's called Te Hills by The Weekend (I'm sorry for being an idiot)

Explanation:

6 0

3 years ago

VARVARA [1.3K]

I’m pretty sure jazz :)

6 0

4 years ago

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