Swahili culture is the product of the history of the coastal part of the African Great Lakes region.
By the 8th century, the Swahili people became involved in the Indian Ocean trade. As a consequence, they were influenced by the Arab, Persian, Indian and Chinese cultures.
As well as in the Swahili language, Swahili culture has a Bantu core and has also borrowed foreign influences. This Bantu expansion introduced the Bantu peoples in central, southern and southeastern Africa, regions of which they were previously absent. They gradually evolved to accommodate an increase in trade (mainly with Arab traders), population growth and even more centralized urbanization, developing what would later become known as the Swahili city-states.
As we can see Arab settlers particularly influential along the Swahili coast because they were the Bantu's major trading partner.
The event was called the Great Purge. Several Soviet officials and high ranking people were arrested during this event. Some were even executed.
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a
red cloud viewed them as corrupt; the department did little to actually the native americans, and instead they lied, discouraged, and filled their own pockets with large salaries.
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Number 2
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By a two-thirds majority.
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Irrespective of its genuine strategic objectives or its complex historical consequences, the campaign in Palestine during the first world war was seen by the British government as an invaluable exercise in propaganda. Keen to capitalize on the romantic appeal of victory in the Holy Land, British propagandists repeatedly alluded to Richard Coeur de Lion's failure to win Jerusalem, thus generating the widely disseminated image of the 1917-18 Palestine campaign as the 'Last' or the 'New' Crusade. This representation, in turn, with its anti-Moslem overtones, introduced complicated problems for the British propaganda apparatus, to the point (demonstrated here through an array of official documentation, press accounts and popular works) of becoming enmeshed in a hopeless web of contradictory directives. This article argues that the ambiguity underlying the representation of the Palestine campaign in British wartime propaganda was not a coincidence, but rather an inevitable result of the complex, often incompatible, historical and religious images associated with this particular front. By exploring the cultural currency of the Crusading motif and its multiple significations, the article suggests that the almost instinctive evocation of the Crusade in this context exposed inherent faultlines and tensions which normally remained obscured within the self-assured ethos of imperial order. This applied not only to the relationship between Britain and its Moslem subjects abroad, but also to rifts within metropolitan British society, where the resonance of the Crusading theme depended on class position, thus vitiating its projected propagandistic effects even among the British soldiers themselves.
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