Answer:
"Don't blame me for what happens." and "I warn you of the consequences." show foreshadowing.
Explanation:
Foreshadowing is taking about what will happen later in the story before it actually happens.
Answer:
C. What do genealogists have to look forward to in the future?
Explanation:
The article presents a history of record-keeping and the way in which the recording of family trees and genealogies has developed throughout the years, from handwritten family trees in Bibles to the World Wide Web. The message seems to try to make genealogists feel excited about the future of their field of study because it is a field that has developed over time alongside the development of technology.
Answer:
Yes, they do. The setting, of course, reflects the uncivilized, scary practices of General Zaroff on the island itself. This is a wild and dangerous place; the setting alone would strike fear into the hearts of most regular people. However, Rainsford manages to show his stuff early on in the story by...
The Balinese production of The Tempestuses shadow puppetry to display an interpretation of William Shakespeare’s famous work. This alternative form of performance focuses more on the fluidity, or sharpness, of the characters’ movement. When analyzing Ariel in this form, it is very apparent that her actions are very projected compared to other characters, by the excess movement of her arms and fingers. However, this projection is shown not with velocity in motion, but with a very smooth complexion in Ariel’s movement. This emphasizes the fragility of her character by connecting her to something very easily tampered with, like the smoothness of still water, that changes with something even as soft as a breeze. The Balinese play also uses the clever technique of utilizing their lighting as a form of portraying Ariel’s character, by physically moving the actor towards and away from the light in order to change the size of the shadow shown. This was well utilized by not only Ariel, but the entire Balinese cast. When Prospero manipulates Ariel into believing that her deed was an act of gratitude for releasing her from her imprisonment, the cast makes Prospero noticeably larger in size and Ariel noticeably smaller. This adds dynamic contrast to the characters and allows the audience to view Ariel as much more timid and frail, as well as Prospero much scarier and evil.
