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cluponka [151]
3 years ago
14

Read the passage from When Birds Get Flu and Cows Go Mad! by John DiConsiglio.

English
2 answers:
Pavlova-9 [17]3 years ago
5 0

Answer:

To signal a solution.

Explanation:

A signal word or the transition word can be defined as those words or phrases that give hints about what is going to take place. There are several types of signal words that signal, for example, cause-and-effect, compare or contrast, time or sequence, etc.

The author uses these signal words to help the readers move along their thoughts.

<u>In the given passage the author has used the signal word to signal a solution. The given paragraph states the solutions to the problems of the owners of the cows</u>.

Thus the correct option is the third one.

Musya8 [376]3 years ago
3 0

Answer:

C) to signal a solution

Explanation:

this is for edge 2020 too.

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Can someone write me 3 paragraph sotry and illustrate it and it’s also in number 7. Thank you
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Answer:

Granny

As I glanced past the lit Christmas tree in the window, I could see endless rain pouring down and splashing into the large puddles that now filled the road outside my grandparents’ home. I shivered slightly and turned back to watch my grandmother sharpening her pencils with a razor blade and unpacking her watercolor paints and paintbrushes from their special travel box. She was wearing a loose lambswool cardigan that covered the top of her long, gently patterned skirt. Her lightly permed white hair was combed carefully across her head. I moved from the sofa to stand closer to her armchair and watched her rearrange the flower bouquet that she was commissioned to paint for her neighbor. I could smell a mix of the familiar waft of her Chanel N°5 perfume and the gentle but evident odor of her watercolors, but I couldn’t pick out any flowery smells. I looked at the painting, which was nearly complete, and saw her penciled signature at the bottom. It read “B.E. Cartwright” in beautiful printing. The “B.E.” stood for Barbara Eileen, although everyone called her Bobby.

I moved back over to where I had been sitting, in front of the lightweight set of drawers that I was using as a hospital-on-wheels for my stuffed animals and dolls. Before settling down to her painting, Granny had cleared out the drawers for me and helped me wrap my little animals in the dry washcloths that I used as bandages and slings. I cradled my teddy bear, who suffered from a broken leg, in my arms and sang it a lullaby. My dulcet tones clashed somewhat with the Christmas carols that Granny had playing on her little portable boom box. She looked up from her painting, not to tell me to stop singing, but to ask how long I thought that Teddy’s recovery would take. I answered that he was looking a lot better and would be able to leave the hospital soon. After expressing her great relief at this news, she pushed her little painting table away from her armchair and went into the kitchen to refill her teacup.

“Would you like anything, Tasha?” she asked me.

“Hmm,” I thought for a moment. “May I please have some chocolate milk?”

She got out the Nesquik powder and milk, fresh from the milkman that morning, and began with great care to mix the powder with a fork into a little bit of milk. She always started it like this to ensure that the drink had no lumps of powder in it, and then added the rest of the milk to make it exactly as I liked it. She came back into the living room and put my drink on the coffee table for me, watching kindly as I checked my dolly’s temperature. I placed my doll back into the blue, soft bed that Granny had made for him last summer and picked up my drink to sip whilst I watched Granny work.

As I watched, my mind drifted to think of my favorite of her paintings, one she had done as a study in preparation for a scene she was commissioned to paint. It was a picture of pigs in a farmyard, and the study was only half finished, so that the piglets in it were colored and the background was not. A few months before, I had seen it and told her I liked it, so she gave it to me, and it now hung on my wall at home.

I watched closely as Granny finished the subtle coloring of the flower petals and absentmindedly dipped her brush into her cup of tea and lifted her paint water to her mouth, realizing her mistake just before the murky liquid touched her lips. Granny laughed quietly and started to talk about the next trip that she and Papa, our grandpa, were planning to make to the Dales, their favorite part of the north of England. They went quite often with the art club to which Granny belonged, as it was such a beautiful area and had many picturesque scenes to paint. She could see that this was perhaps not the most interesting topic for a seven-year-old, so she turned the rather one-sided conversation to their next visit to see us in Germany. This grabbed my attention much more, and we began to talk excitedly about exactly what we would do when they came and which ones of her collection of teddy bears I wanted her to bring. I, of course, gave her a long list of English chips and chocolates that I hoped they might bring with them for us.

Just as I had listed all of the necessities I could think of, Papa, Mummy, Daddy, and my brother, Brian, and sister, Cece, came back from shopping, soaking wet and in need of a cup of tea or hot chocolate. Granny went to top up the pot while they hurried to change into some dry clothes. Meanwhile, I packed up my little hospital until another day.

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Zanzabum

Answer:

Traveling, the short story by Grace Paley, is about a time when Paley’s mother and sister rode the bus during the 20s and refused to move up from the back of the bus, despite the fact that “‘It’s for them’–waving over his shoulder at the Negroes, among whom they were now sitting.” (Paley 1) Paley connects this event with a moment in her own life when she offered her own seat on a bus to a black woman holding her baby, and ultimately ended up holding the woman’s child for her in order to let her rest, despite the fact that other white people on the bus disagreed with such a course of action. The piece is on the surface about the racism of the time, not unexpected from Paley, who spent most of her life as an activist, but is also about the events that stick with us and shape us and about the connections that exist between members of a family.

This work is an incredibly proficient piece of writing (a compliment that is an understatement and oversimplification when applied to Paley), and the themes present in the work are still relevant today. Paley and her mother both committing seemingly small yet still powerful acts of defiance in the face of blatant racism provide inspiration that spans decades. As our understanding of social justice and oppression has evolved, there was the chance of the piece coming off as Paley bragging about not being racist, about being a “good white person,” separating herself from other white people as well as separating herself from the responsibility of being a white person within the context of anti-black racism. However, it doesn’t come off as Paley looking for a pat on the back. Instead of bragging about these experiences, Paley is simply reflecting on them and their effect on her and her family.

This is where the more subtle themes of the piece shine through. The situations show us the connection that Paley has to her mother through their similar characters, as well as the connection that began forming when she was twenty years old that was fully formed when her grandson was born. We are shown that her mother had strong opinions on oppression, and we can infer that her mother was the one who first began to teach Paley about oppression and helped her find her activist roots. These situations also had a strong impact on Paley’s siblings, although they don’t share that fact and therefore connect with Paley about it until later in their lives. Five hundred words are not enough to contemplate the intricacies of this piece, the emotion that seeps from every word, and the subtext that lurks behind Paley’s sentences.

Explanation:

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