<h2><u>Answer:</u></h2>
The three allusions Ralph Waldo Emerson makes are Francis Bacon, Irish dayworkers, Coeur-de Lions.
In the beginning of the "Society and Solitude" he talks about the capital and mentions how it is the want of animals spirits and in this excerpt appears all these three.
"The capital imperfection of cool, dry natures is the need of creature spirits. They appear a power inconceivable, as though God should raise the dead. The hermit observes what others perform by their guide, with a sort of dread. It is as much out of his probability as the ability of Coeur-de-Lion, or an Irishman's day's-take a shot at the railroad. As Bacon said of habits, "To get them, it just needs not to detest them,"
Basically Tybalt hates Romeo and calls Romeo a "villain". Romeo says something about love towards Tybalt he says hes not a villain and he tells Tybalt that he doesn't understand him. Romeo says goodbye (he doesn't want to fight).
The bolded part is Tybalt not accepting what Romeo is saying. He says it doesn't "excuses the injuries", which means he doesn't forgive him (doesn't excuse Romeo's previous behaviour). Therefore "Turn and draw" means get ready to physically fight (draw out your sword)
A is the answer good luck on e2020
The tone<span> of the poem “Dying” by Emily Dickinson is calm, and even flat. Her narration is factual and concise. Her purpose in using this tone is to make the readers believe that dying is not painless as everyone is imagining. She used this tone to send the message that dying maybe painless but the vision it is representing is horrifying. This poem started with the speaker already dead and describing then her death and what it feels when you die.</span>
i can not see that make it bigger
