Part of narrative.
literary device.
and sound patern
Answer:
"I lived in the first century of world wars" is the opening line of "Poem" by Muriel Rukeyser (1913-1980) an American poet and political activist. Her best-known poems are about social justice, equality and feminism. Her choice of words establishes her anti-war theme and her efforts to oppose war through her poetry: "Slowly I would get to pen and paper, Make my poems for others unseen and unborn. In the day I would be reminded of those men and women, Brave, setting up signals across vast distances, Considering a nameless way of living, of almost unimagined values." She felt her poetry, which would outlive her, would be a message to those "unseen and unborn" who could work to promote peace and justice. "We would try by any means To reach the limits of ourselves, to reach beyond ourselves, To let go the means, to wake." Here Rukeyser was passing on the baton, as it were, to the generations "beyond ourselves" in the hope that they would be more purposeful peacemakers.
having no limits or boundaries in time or space or extent or magnitude
Answer:
The appeal praises the virtues of the writers of the document Taney uses as evidence.
Explanation:
I'm right againnnn
The woman who promotes the transformation in Enkidu is called Samate. She is a prostitute, beautiful and extremely sensual. She seduces Enkidu and makes him fulfill all his desires, thus bringing him closer to the characteristics that a civilized man must possess.
This says a lot about the vision of women and the process of civilization that the first cultures of Mesopotania had. This shows that the woman was seen as a being full of whims and manipulations that had the ability to shape the man and make him reach levels that he could not achieve alone. It also reveals that one of the characteristics of civilization was that men had the possession of a woman and established a relationship with her that would spur her wild side, but that would lead her to rationality.
