Answer:
1. stanza: group of lines in a poem
2. vernacular: common or everyday language
3. trochee: two syllable meter with the accent on the second syllable
4. meter: beat or rhythm of poetry
5. iamb: two syllable meter with the accent on the first syllable
Explanation:
1. stanza: a group of lines in a poem
A stanza is known to be part of a poem, often in two or more lines. It is normally depicted with a separate spacing from other stanza or indented. It may contain metrical lengths and regular rhymes
2. vernacular: common or everyday language.
Vernacular is a local variation of the standard language. It is spoken without following the standard rule of a language. It can be termed as a dialect.
3. trochee: two-syllable meter with the accent on the second syllable
This is a two-syllable foot that starts with a long syllable and is followed by a short syllable.
4. meter: beat or rhythm of poetry
This is considered as the fundamental of a rhythmic structure of a line. It is utilized in a poem. A line of meter contains five iambs in a pattern of long or short syllables.
5. iamb: two-syllable meter with the accent on the first syllable
This contains two syllables which start with a short syllable and them followed by a long syllable.
B. themes are explicitly stated and central ideas are not. hope that helps
The main character who is also the protagonist is known as a hero. A villain is an antagonist and an influential character.
When a Hero fights a Villain, both the interpersonal relationship between the Main Character and the Influence Character and the functional relationship of the Protagonist/Antagonist conflict for dominance in the plot take place between the same two characters at the same time. Working with heroes and villains essentially merges these two relationships into one. Because they frequently are unsure which of the two relationships is being depicted by a certain moment between the two characters, an audience is frequently confused by this.
Furthermore, if anything happens in one of the two, its dramatic momentum might divert attention from a gap in the other, making it simple for an author to leave gaps in either type of interaction. In fact, the audience's acceptance of the style that there will be gaps in both relationships is the cornerstone of a melodrama. These gaps must be acceptable as long as the combined momentum of both relationships moves the story along to the next point in either.
Learn more about antagonists here:
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The complete predicate is: is home to a famous collection of Impressionist art.
Answer:
Martin Luther King, Jr.'s "I Have a Dream" leaves the door open for a continual journey of racial progress—it doesn't cap things off with 1963. "I Have a Dream" portrays racial equality as a fulfillment of the promises of America's Founding Fathers and documents.
Explanation:
