Dee Johnson trusts that a man's legacy has nothing to do with the family convention. In "Everyday Use" by Alice Walker, Mama portrays the story concerning the visit of her girl who is returning home.
At the point when Dee lands with her beau, she has changed her dress as well as her name to Wangero. Shockingly, Mama grants all from her daughter. It is then Dee starts to get things to take away with her when Mama confronts her.
Concluding from this, Dee goes into Mama's room to scavenge through her chest and finds two carefully accumulated blankets. These are essential to Mama since she designed it with her mom. They included material from the time of the Civil War.
Dee tags on herself to the blankets. It is found that she means to utilize these things as a showcase to demonstrate her African legacy which is certainly not understandable from her side. Mom says "no" out of the blue to Dee. She discloses to Dee that the blankets belong to Maggie.
<em>The incongruity originates from the error of Dee's understanding of the circumstance. She modifies her name given her by her grandma, but, still needs the blankets that her grandma made. She doesn't generally need them to utilize, yet to flaunt to other individuals as she claims it genuine and from a definite period of history. </em>
Clearly, the Black American part of their lives is vital. Although, nothing could easily compare to the common family inheritance and ruins from the time passed.
<em>After Mama declines to give the blankets to her, Dee discloses to Maggie that she needs to get everything in order and endeavor to comprehend her legacy. Maggie adores her home and mom, while we notice a lack of rationalism in the behavior of Dee in accordance with living under her family heritage. </em>
<em>In truth, it is Dee who does not understand the significance of the family heritage that the blankets and even her mom and sister speak of. This is the biggest encircling irony mentioned in the story.</em>
