Answer:
there is one dogs <em><u>but</u></em><em><u> </u></em><em><u>on</u></em><em><u> </u></em><em><u>the</u></em><em><u> </u></em><em><u>other</u></em><em><u> </u></em><em><u>side</u></em><em><u> </u></em><em><u>there</u></em><em><u> </u></em><em><u>are</u></em><em><u> </u></em><em><u>to</u></em><em><u> </u></em><em><u>many</u></em><em><u> </u></em><em><u>dogs</u></em>
<em><u>on</u></em><em><u> </u></em><em><u>the</u></em><em><u> </u></em><em><u>tree</u></em><em><u> </u></em><em><u>there</u></em><em><u> </u></em><em><u>is</u></em><em><u> </u></em><em><u>only</u></em><em><u> </u></em><em><u>one</u></em><em><u> </u></em><em><u>mango</u></em><em><u> </u></em><em><u>but</u></em><em><u> </u></em><em><u>on</u></em><em><u> </u></em><em><u>the</u></em><em><u> </u></em><em><u>other</u></em><em><u> </u></em><em><u>tree</u></em><em><u> </u></em><em><u>there</u></em><em><u> </u></em><em><u>are</u></em><em><u> </u></em><em><u>4</u></em><em><u> </u></em><em><u>mangoes</u></em>
B
There is much evidence in the play that Hamlet deliberately feigned fits of madness in order to confuse and disconcert the king and his attendants. His avowed intention to act "strange or odd" and to "put an antic disposition on" 1 (I. v. 170, 172) is not the only indication. The latter phrase, which is of doubtful interpretation, should be taken in its context and in connection with his other remarks that bear on the same question. To his old friend, Guildenstem, he intimates that "his uncle-father and aunt-mother are deceived," and that he is only "mad north-north-west." (II. ii. 360.) But the intimation seems to mean nothing to the dull ears of his old school-fellow. His only comment is given later when he advises that Hamlet's is "a crafty madness." (III. i. 8.)
When completing with Horatio the arrangements for the play, and just before the entrance of the court party, Hamlet says, "I must be idle." (III. ii. 85.) This evidently is a declaration of his intention to be "foolish," as Schmidt has explained the word. 2 Then to his mother in the Closet Scene, he distinctly refers to the belief held by some about the court that he is mad, and assures her that he is intentionally acting the part of madness in order to attain his object:
Beowulf's greatest enemy is no monster but himself and his pride, or hubris. It is his greatest weakness which results in his death. It is predicted or foreshadowed throughout the entire story. Begining with the stories of his youth and then his private conversations with Hrothgar in Heorot. His avarice and obsession for the attention of his friends are the result of his pride, not separate characterstics.