Mr. Home was a stern-featured—perhaps I should rather say, a hard-featured man: his forehead was knotty, and his cheekbones were
marked and prominent. The character of his face was quite Scotch; but there was feeling in his eye, and emotion in his now agitated countenance. His northern accent in speaking harmonised with his physiognomy. He was at once proud-looking and homely-looking. He laid his hand on the child's uplifted head. She said—"Kiss Polly." The description of Mr. Home in paragraph 10 (lines 55–62
(“Mr. Home was a stern-featured—perhaps I should rather say, a hard-featured man: his forehead was knotty, and his cheekbones were marked and prominent. The character of his face was quite Scotch; but there was feeling in his eye, and emotion in his now agitated countenance. His northern accent in speaking harmonised with his physiognomy. He was at once proud-looking and homely-looking. He laid his hand on the child's uplifted head. She said—"Kiss Polly."”
The description of Mr. Home in paragraph 10 (lines 55–62
(“Mr. Home was a stern-featured—perhaps I should rather say, a hard-featured man: his forehead was knotty, and his cheekbones were marked and prominent. The character of his face was quite Scotch; but there was feeling in his eye, and emotion in his now agitated countenance. His northern accent in speaking harmonised with his physiognomy. He was at once proud-looking and homely-looking. He laid his hand on the child's uplifted head. She said—"Kiss Polly."”)
The description of Mr. Home in paragraph 10 primarily serves to
(Choice A)A
demonstrate the duality of his character.
(Choice B)B
emphasize his hard, cold nature.
(Choice C)C
show the strong and obvious love he has for Paulina.
I would say A because the author explains on how masculine he looks and how tough he is but then it switches to him showing his affection for his wife and how he is actually soft inside. Of course I can be wrong but hey I've never took the SAT's before
Georges de la tour is the artist of the image above.
Georges de La Tour (13 March 1593 – 30 January 1652) was a French Baroque painter. He spent most of his working life in the Duchy of Lorraine in France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight.
La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done.