Answer:
B. Amal is not ashamed of her wealth, but Marjane does not.
Explanation:
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The wallpaper unmistakably stands in for the narrator's imprisoning structures of family, medicine, and tradition. Wallpaper is a lowly and domestic material, and Gilman deftly employs this nightmare-inducing paper as a representation of the household existence that ensnares so many women.
What is Yellow Wallpaper's main point?
The narrator of "The Yellow Wallpaper" feels that the wallpaper is a narrative she must decipher and that it represents something that directly affects her. As a result, the wallpaper's meaning grows throughout the narrative. It is torn, filthy, and initially appears to be a "unclean yellow," which makes it merely unpleasant. The supposedly formless pattern, which intrigues the narrator as she tries to understand how it is structured, is the worst part.
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Answer:
- Socio-emotional selectivity theory.
Explanation:
'Socio-emotional selectivity theory' is illustrated under the life-span theory and described as the human ability to track time and motivate themselves as per the time-horizons. This theory describes that humans tend to shrink their circle of people or shrink themselves as they age and become more selective. They involve in activities or people who are emotionally purposeful.
In the given situation, the Beth's situation(fewer friends in comparison to her young age) exemplify the 'socio-emotional selectivity theory' as it reflects she has motivated herself to a narrowed circle according to time and exhibits 'relative preference' to have 'rewarding associations'(each relationship, deeply satisfying, enjoyable) with people.
Answer:
Person versus nature
Explanation:
"A fierce rain had swollen the middle fork of the Kentucky river."
"The brown water overflowed its muddy banks."
And the epilogue - "Not even a flooded river could stand between Mary Breckinridge and the hospital her patients needed."
The text provides evidence of her going up against the forces of nature rather than the other options.
Since we are talking about the American romantic period, I'd say that what the archetype of the devil usually symbolizes in the literature of that era is C. the romantics' fascination with the supernatural.
They were crazy about the dark and mysterious creatures, so maybe that is the correct answer.
