Use the quotations below to help choose the adjective that best describes each character,

Brut [27]

Answer:

A picture is worth a thousand words, and sometimes an illustration is exactly what you need in your paper to drive an argument home and communicate your point succinctly. Avoid using images to pad your essay; make sure the illustration you've chosen serves a rhetorical purpose. Placing pictures according to style conventions ensures that their format is consistent with the rest of your paper, conveying a level of expertise that makes your argument more convincing overall.

Explanation:

MLA Style

Embed the illustration close to the essay text referring to it. You can place the picture wherever makes the most sense in your essay. Keep images inside your 1-inch margins throughout your MLA-style document.

Caption each image with a number, a short title and the word "from." Reference information describing the illustration's source will follow. At this point, your caption should look like "Fig. 1. Anne sips her tea in the garden from," minus the quotation marks.

Complete the caption with the reference information to credit the source of the illustration. Document the source information the same way you would if you were completing a works-cited entry for the publication. For example, an illustration from a book would be cited with the author first, followed by a comma. The title of the book would be italicized. Publishing city, institution and year would come next, formatted in brackets and followed by the page number for the illustration: (New York: Puffin, 2002) 22.

Refer to the caption within the body of your essay using the format "fig. 1." Do not capitalize the "fig." in your in-text references.

A picture is worth a thousand words, and sometimes an illustration is exactly what you need in your paper to drive an argument home and communicate your point succinctly. Avoid using images to pad your essay; make sure the illustration you've chosen serves a rhetorical purpose. Placing pictures according to style conventions ensures that their format is consistent with the rest of your paper, conveying a level of expertise that makes your argument more convincing overall.

APA Style

Size the illustration to fit APA style specifications. If the figure spans one column, it must be 2 inches to 3.25 inches wide. Figures taking up two columns should be 4.25 inches to 6.875 inches wide. The height of your illustration must fit within the top and bottom margins of the page.

Caption your figure. APA style requires that you use a sans-serif font (Arial, for example), 8 points to12 points in size. Use the full, capitalized word "Figure" and a number to identify the illustration. Next, include a short title and an explanation of the figure's relevance. For example: Figure 1. Action Potentials. This figure shows how an action potential fires within a single muscle cell.

Complete the caption with a new sentence, beginning with the words "Taken from" or "Adapted from" and ending with an APA-style citation for the source material. For example, if your picture came from a book, you would begin with the author, followed by a period. Next would come the year of publication in brackets, followed by a period. Include the title of the publication next, italicized and followed by the page number in brackets: (pp. 45). Finally, add the publisher location and company in the following format: New York: Penguin.

Refer to the figure within the body of your paper. Capitalize its reference when you write about it. For example: "In Figure 2, you can see that..."

4 0

3 years ago

Read this sentence, which contains a comma splice.

polet [3.4K]

Answer:

The fourth answer.

Explanation:

hope this helps. . . <3

3 0

2 years ago

Read 2 more answers

Which is not a symptom of long-term stress?

jolli1 [7]

All of the answers above are correct except:

d. increased productivity

When long-term stress strikes, a person may feel the negative symptoms of the disorder which are evidenced by all of the three answers; whereas the last answer seems to be a positive effect.

7 0

2 years ago

Use parallel structure to describe three qualities of one of the protagonists in a short story you’ve read.

Novay_Z [31]

Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?

More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.

Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call Multiple Protagonist form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). 

Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative, the form of films like Nashville or Traffic. 

Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle).

7 0

3 years ago

How would your hook be if your topic was about the super hero Mario

lukranit [14]

You could start with:
"It's a-me, Mario"
and switch out Mario for your name
Lets say your name is Juan (for example)
Then, your hook/grabber would be:
"It's a-me, Juan"

Hope it helps
If you need more help, just holler! :)

3 0

3 years ago

Read 2 more answers