Answer:
Knights, tournament are nouns. returned and royal pro nouns
Explanation:
A. If you need a basketball, you can borrow our's.
Answer:
For one, don't jump into conclusion yet based on no evidence. If possible, you can tell your friend to block the account that has been cyber bullying them or change account.
Explanation:
How ever tempting it might be, do not act without any evidences. Ones that can persuade a reasonable person around you. Or else, the report will be treated like nothing, and it might only worsen the bullying. If you get solid proof, go report them. Report their bullying a**
Answer:
"soon, he, too, was filled with a new determination; storey borrowed money from friends, dug out some old type from his barn, and had the times publishing again on october 18."
Explanation:
The detail from Jim Murphy's The Great Fire best supports this thesis is "soon, he, too, was filled with a new determination; storey borrowed money from friends, dug out some old type from his storage, and had the times publishing again on october 18."
Chicago fire of 1871 was an extensive fire that burned in Chicago and American city during October 8 to October 10,1871. The fire killed roughly 300 people and destroyed approximately 3.3 square miles of Chicago city and subsequently left over 100,000 residents homeless
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Landscape with the Fall of Icarus" is a poem by one of the foremost figures of 20th-century American poetry, William Carlos Williams, first published in Pictures from Brueghel and Other Poems in 1962. The poem is a work of ekphrasis—writing about a piece of visual art—and is part of a cycle of 10 poems inspired by the paintings of 16th-century artist Pieter Bruegel (or Brueghel) the Elder. Both Bruegel's painting and this poem depict the death of Icarus, the mythological figure who died after flying too close to the sun, in a rather unusual way: in both works, Icarus's death—caused by a fall from the sky after the wax holding his artificial wings together melted—is hardly a blip on the radar of the nearby townspeople, whose attention is turned instead toward the rhythms of daily life. Tragedy is thus presented as a question of perspective, something that depends on how close one is (literally and emotionally) to the event in question.
