Answer:
In line 28 we can see a shift in the speaker's focus to speculation about the limits that nature has.
Explanation:
In line 28, the speaker's approach changes and he begins to address nature in a more influential and profound way, showing the limits of it. This is to show that even something great like nature, has fineness, that is, it has limitations. This can be applied to the physical sense of nature, or even to the subjective and more conceptual sense of the effect of nature.
The correct answer to this open question is the following.
You forgot to include the question, you just include the statement.
The question should be this: Based on this passage, which viewpoint could a prepared speaker share in a discussion?
If that is the case, then the answer will be this.
After what the passage refers, Kahlo unwrapped three of her portraits and waited as Rivera studied them. In a few minutes, he informed her that she was indeed an authentic artist.
So based on this passage, the viewpoint could a prepared speaker would share in a discussion will be "I think that Frida Kahlo made a bold move when she decided to show her portraits to Rivera."
Frida Kahlo was known to be a decisive woman that followed her impulses. And that is what she did when she was with the famous Mexican painter Diego Rivera. She knew that this was heer moment if she wanted to have the support of the "Maestro" Diego. If Diego Rivera helped her to impulse her career as a painter, her talent would do the rest.
Answer:
A connotation is a commonly understood cultural or emotional association that any given word or phrase carries, in addition to its explicit or literal meaning, which is its denotation. A connotation is frequently described as either positive or negative, with regard to its pleasing or displeasing emotional connection.