Answer: B. Locking women away behind walls, screens, or curtains robs them of their dignity.
Explanation:
The author of this poem, Sarojini Naidu (1879 - 1946), came from a culture where women were to receive a different treatment from men. Women's freedom was taken away with the excuse of protecting them from "eyes impure". If their bodies and faces, their beauty and youth cannot be seen, then they will not be coveted. However, such a way of "protecting" has its own way of harming those involved. It does not "shield a woman's eyes from tears". It does not protect their feelings, does not take their wishes into consideration. It only limits their lives, their abilities, their happiness.
Answer:
You could move to a different location, increase your volume, take steps to decrease the physical noise around you
Explanation:
Giancarlo Beltrame (1925-2011), an avid collector of scientific books and of prints, was obsessed by the eternal themes of Love and Death. The walls in his house in Vicenza were teeming with depictions of nudes and skeletons, skulls and bones, dragons and witches, monsters and martyrs.
<span>The Beltrame Collection offers a fascinating survey of </span>memento mori<span>, Vanitas images, Dances of Death and related imagery and includes prints of the 15th to the 20th century. With estimates starting at just US$600, this sale offers the opportunity to acquire very rare and unusual prints, including arguably the most bizarre print of the Renaissance, Agostino Veneziano’s </span>The Carcasse<span>, an exquisite and rather macabre little engraving of </span>Adam and Eve<span> by Hans Sebald Beham, and one of the most famous images in the history of printmaking, Albrecht Dürer’s </span>Four Horsemen of the Apocalypse<span>.</span>
You can go more into depth in a novel, but there still has to be an inciting incident, crisis, rising action, climax, falling action, and resolution in either one.
