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Answer:
1.Although Theophrastus was not in the School of Athens painting, he was taught and was a successor to Aristotle. 2.He joined the philosopher Aristotle while he lived in Assos, a city located in Asia Minor. 3.Several of Aristotle's teachings were challenged by Theophrastus, correcting some and rejecting others. 4.The suggestions made by Theophrastus somewhat shaped Aristotle's style positively. 5.. Some of Theophrastus's important books include On Fire (de igne), On Stones, (de lapidibus), and his most famous work, Characters. 6.In Characters, Theophrastus uses a satiric tone (using satire) throughout the piece and is written based on different people's viewpoints and opinions.7.s. He later was painted in Carl Rahl's "The University of Athens" in 1888. 8. In it shows some of Aristotle's brightest disciples; Theophrastus is painted to the far right in blue robes (as seen above.)9.Although this was painted after the Renaissance, it still shows how Theophrastus's contributions and social positions did not go unnoticed.10. Physics and science, Theophrastus's expertise, he attributed to teleological order to nature and was also familiar with aspects of epistemology and psychology.
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The Columbian Exchange had positive and negative consequences.
Some of the positive consequences were the introduction of different nutrients and food supplies into the Old World, such as corn or potatoes. This improved the diet of most Europeans, leading to a population growth in the next generations.
However, Europe benefited more than the Americas, for some of the negative consequences about the Columbian Exchange were the introduction of diseases into the continent and the slavery of African populations into the Americas.
Michelangelo shares Bramante's belief that a central plan is the ideal form for a church.
Always a sculptor first and foremost, Michelangelo brought his obsession with the human form into architecture and believed that buildings must conform to the shape of the human body. It is perhaps an absolute masterpiece: Michelangelo's strangely moving statue of Pietà, carved during the sculptor's first visit to Rome.
when he was only twenty years old. Bramante made the first plan of the new church. He proposed a massive church centrally planned in the form of a Greek cross enclosed in a square with a large dome in the center, and smaller domes and half-domes radiating out.
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