Focus your attention. You don't want to be on your phone or watching tv while someone is talking to you.
Answer:
The title "Borges and I" introduces the concept of dual identity that is core to Borges's essay. Borges contemplates the nature of identity as twofold. The "I" represents the inner identity, and the name "Borges" indicates the external identity. Creativity, for Borges, begins in the complex inner identity. It is influenced by personality and experience, such as the experience of reading literature. Borges points out that he finds himself more in the books that he has experienced than in those he has written. Thus, his inner identity is shaped by the things he reads, while his outer identity is represented by the things he writes. According to Borges, as soon as he takes an idea and makes it into a story or a book, it no longer belongs to his inner self but becomes part of his public "persona."
The dual nature of personality presented by Borges is problematic to the author. He expresses a feeling of loss when parts of him become falsified and magnified as they transfer to his public persona. Yet, Borges also recognizes the necessity of both parts of his identity. The literature that belongs to the Borges persona is also integral to the inner identity. Borges writes that "this literature justifies" his interior identity. It is the external expression of Borges's internal creative force. Though he struggles with that exterior persona, it is also essential to manifest his creativity.
A. The desire to rule and the value of knowledge apex
Answer:
This question is incomplete since you have not provided a specific text, but anyway I will give you an answer that will be useful.
Explanation:
The motivation of a character is one of the fundamental elements when writing a story. Motivation is always relevant, but especially when it comes to the protagonist.
Motivation is what is behind every action that your protagonist undertakes. And its importance lies in the fact that it helps the reader understand why the character does what he does.
Without motivation, any narrative, be it a novel or a story, would be no more than the more or less attractive description of some facts.
Artistic vision: Still Life with Lobster and Oysters by Alexander Coosemans, c. 1660
Sides of beef in a slaughterhouse
Animals including fish, crustaceans, insects, molluscs, mammals and birds play many roles in culture, as do other living things.
Economically, animals provide much of the meat eaten by the human population, whether farmed or hunted, and until the arrival of mechanised transport, terrestrial mammals provided a large part of the power used for work and transport. Animals serve as models in biological research, such as in genetics, and in drug testing.
Many species are kept as pets, the most popular being mammals, especially dogs and cats. These are often anthropomorphised.
Animals such as horses and deer are among the earliest subjects of art, being found in the Upper Paleolithic cave paintings such as at Lascaux. Major artists such as Albrecht Dürer, George Stubbs and Edwin Landseer are known for their portraits of animals. Animals further play a wide variety of roles in literature, film, mythology, and religion.
