The Delano grape strike was a labour strike by the Agricultural Workers Organizing Committee and the United Farm Workers against grape growers in California. The strike began on September 8, 1965, and lasted more than five years. Due largely to a consumer boycott of non-union grapes, the strike ended with a significant victory for the United Farm Workers as well as its first contract with the growers.
The strike began when the Agricultural Workers Organizing Committee, mostly Filipino farm workers in Delano, California, led by Philip Vera Cruz, Larry Itliong, Benjamin Gines and Pete Velasco, walked off the farms of area table-grape growers, demanding wages equal to the federal minimum wage.[1][2][3] One week after the strike began, the predominantly Mexican-American National Farmworkers Association, led by Cesar Chavez, Dolores Huerta and Richard Chavez,[4] joined the strike, and eventually, the two groups merged, forming the United Farm Workers of America in August 1966.[3] The strike rapidly spread to over 2,000 workers.
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C. Buddhism became a major religion in China.
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They were outraged that former Confederates were able to join Congress. They encouraged cooperation to accomplish the goals of Reconstruction. They decided to hand over control of Reconstruction to President Johnson.
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"A decade before Jackie Robinson broke down baseball's "color barrier," the black jazz greats Teddy Wilson and Lionel Hampton were making not just musical but also social and cultural history by playing with Benny Goodman, the enormously popular white band leader and clarinetist known as the King of Swing. Goodman's racial mix worked superbly, and its success struck a significant blow against racism.
Certainly, racism reared its ugly head in many insidious ways in the recording and publishing industries where black composers and musicians were often ripped off by the white power structure. Even the media-created title, King of Swing, would have been far more justly afforded to such legendary black band leaders as Duke Ellington, Count Basie or Jimmie Lunceford. Not even the greatest black jazz artists, such as Louis Armstrong, Ellington or Charlie Parker, were exempt from the long, poisonous reach of the overt racism of their time."-these words are from Deseret, wanted to give you an accurate answer.
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jazz musicians began to break down racial barriers, by proving that they could do anything if not better that white people could do. they didn't want the color of their skin to be something that would hold them back from being successful in the world. they wanted to show that just because they were denied of the right to live, vote and many more that they could prove all of those things wrong and do something great.
