The character of Chaucer serves as our guide to the action. Sometimes Chaucer narrates like he's really there in the tavern, just meeting these pilgrims for the first time, and we feel like we're right there with him. At other times, though, Chaucer is a narrator who seems to know way<span> more than he should. For example, he tells us that, when the Shipman wins a fight, he murders the loser by throwing him overboard, or that the Reeve is stealing from his master. Now is that really something these people would tell Chaucer on first meeting him? And how does Chaucer know so </span>many<span> details of the pilgrims' day-to-day lives? At these moments, Chaucer acts much more like an omniscient, or all-knowing, narrator, than one who's </span>truly<span> in the heat of the action. The reason for this choice could be that verisimilitude, or making things seem like real life, was not as important to a medieval author as it is to authors today. Instead, the narrator might choose to tell whatever he wants to tell to serve the purposes of characterization.</span>
Answer:
A or B
Explanation:
It applies to married couples as well an young unmarried people wondering what it's like to be married.
C? I believe this is the correct answer
People would consider him privileged because he had slaves working for him and he was a white male in the 30's.
Answer:
Jonas' Father takes Lily to school. Mom asks Jonas to stay behind. She tells him that he is having feelings called stirrings and that he must report them. She has a pill that can make them all go away.
Explanation:
The dream he has is a very detailed one that involves Fiona, her clothes, and a bath.
