The Narrator
A young, upper-middle-class woman, newly married and a mother, who is undergoing care for depression. The narrator—whose name may or may not be Jane—is highly imaginative and a natural storyteller, though her doctors believe she has a “slight hysterical tendency.” The story is told in the form of her secret diary, in which she records her thoughts as her obsession with the wallpaper grows. answer is in here
Answer:
A)
Reason:
Because he feels it would complicate recovery and upset the economy of businesses.
Please give me a brainliest if you are satisfied with the answer!
We can actually see here that all of the choices are correct. The answer is option D.
<h3>What is sentence structure?</h3>
Sentence structure refers to the way a sentence is organised or arranged in order to pass across the information it carries.
Here are the options that complete the question:
A. Simple sentences
B. Compound sentences
C. Compound-complex sentences
D. All of the choices are correct.
We see that options A - C are all sentences which have a definite structure. Thus, all of the above are correct.
Learn more about sentence structure on brainly.com/question/24320025
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The tone is of <u>strong disapproval.</u>
Explanation:
The passage here presents multiple instances of disapproval of Countess Olenska's behavior
- <u>the narrator calls her a compromised woman</u>, essentially, one of a loose character.
- <u>questions her going outside in the' shopping hour</u>', that is, when she has a chance of meeting men outside.
- <u>her absence when the betrothed couple comes is presented as a relief.</u> She is either ill mannered or her family is ashamed of having her around.
It is evident that the Countess here is being judged on impossible standards.
When the reader reads “To Autumn” the prevailing mood in this poem is very tranquil, “mist and mellow” creates a soft and gentle mood. “Thy hair soft-lifted by winnowing wind” fortifies the engagement of a mood of tranquility when read. The mood here is a relaxing, gentle and gracious.
