Answer:
In fiction, ‘internal conflict’ refers to a character’s internal struggle. A character might struggle with an emotional problem such as fear of intimacy or abandonment, for example. Internal conflict is important for characterization, since flaws and internal struggles make characters more lifelike and sympathetic.
External conflict, on the other hand, refers to the conflicts between a character and external forces. This type of conflict can be between one character and another or a group (or between groups of characters). It can also be between a character and more abstract forces. For example, a bleak and hostile environment in a post-apocalyptic novel.
Both types of conflict, internal and external, are useful because they create:
Tension: Because of conflict’s uncertainty, we want to know how it resolves and keep turning pages to find out
Stakes: Conflict suggests worst-case outcomes and makes resolution urgent (the hero must overcome the antagonist/environment or themselves ‘or else…’)
Character development: Conflict allows for dramatic incidents and confrontations that test characters and cause them to learn and adapt
So how do you use external and internal conflict to develop characters
Explanation:
Hi there!
The correct answer is A - compare and contrast.
Hope it helped!
Answer:
To "bear witness" the living can prevent the tragic story of the ghost boys from being repeated with living children and this can contribute to a better world.
Explanation:
This question is about "Ghost Boys" a book written by Jewell Parker Rhodes that tells the story of Jerome, a twelve-year-old boy who was killed when a police officer shot him when he mistook Jerome's toy for a real gun. Jerome became a ghost and saw all the suffering that his family went through with his death. Thus, he decided to form a group with other ghost boys and show some living people the tragic stories that caused their death. This is because only these humans can develop real changes in the world, helping other children not to go through the same injustices that they did and preventing more families from suffering.
tion: ible
ns, miss, or soft c or g: ible
always follows i: able
the root has other forms built on the lettera: .able
the root is not a full word: .ible
the root is a full word: .able
the root ends in a hard c or g: able
the root is a full word except for a final e: able
Hope this helps!
Answer:
Reality TV is typically defined as, non-fictional programming in which portrayal is presumed to present current, historical events or circumstances. The production itself must be a realistic account. Generally included in this category are news and public affairs programming, interviews, talk shows, entertainment, or news programming, documentaries, real-world events, police or emergency worker drama, and live quiz shows. The regulation of broadcasting content poses a dilemma between the need for intervention in order to protect the interests of the public on the one hand and considerations for freedom of expression on the other hand. Policymakers justify intervention in broadcasting content, due to the significant level of influence that the media has over our lives. Barendt (1995) perceives broadcasting as an activity of enormous political and social significance, while Feintuck and Varney (2006) consider that our view of the world is influenced more by media than our personal experience. Furthermore, Varona (2004) points towards the unparalleled influence of broadcasting in shaping our culture, identity, and values. According to Varona, television at its best plays the role of educator and equalizer (due to its power to act as a bridge between people), while at its worst, television is littered with exploitative programming that does more to pollute than enrich our democracy and culture.
Explanation:
I think this is okay? I wasn't entirely sure what you wanted the paragraph to say regarding the regulation of reality TV.
