In 1928, the year he turned 26, the German-born calligrapher and typographer Jan Schichold (1902-74) published his landmark book Die Neue Typographie (The New Typography).
The new typography movement was a response to new printing technologies that allowed designers to break away from the constraints of traditional typecase. Most simply, it is defined as the rejection of the classical rules of typographic symmetry, effective design centers on four basic principles: contrast, repetition, alignment and proximity. These appear in every design. Schichold soon became a strong advocate of modernist design, which he expressed through an influential magazine supplement published in 1925. Two years later he held a solo exhibition showcasing modernist design. Moreover, his magnum opus Die Neue Typographie is a testament to his support for modernism.
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Answer:answer Error3939.2///2
xsExplanation:
What grade are you in? Why are you still in school by then
1. Philosophical questions tend to concern (to paraphrase Led Zeppelin) what is and what should be (and also how we can know what is and what should be)--that is, they tend to be about metaphysics (what exists and how it exists), ethics (what we ought to do and what a good life is), and epistemology (what can we know and how). They are the questions kids ask: "Why?" and "Why should I?" (and "How do you know?")
2. Philosophical questions typically look like they are (a) not objective (such that we know just what it would take to figure out the one right answer), (b) not subjective (such that the answer depends just on whatever someone thinks about it), and (c) difficult. As we discover agreed-upon methods for finding objective answers to questions, they tend to migrate into the sciences (and become "easy"--just kidding, scientists!). But philosophers do agree a lot about better and worse ways (methods) of answering philosophical questions and about better and worse answers and defenses of them. Some philosophers think that some questions (such as what is good or just) are relative or subjective, or that some questions are unanswerable or badly formed, but they agree that reaching such conclusions requires good arguments.
Sources: http://www.askphilosophers.org/question/4269
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Answer is c. Greek and Roman mythology or literature