Actor-a person who portrays a character in a play
Climax- the point in a plot where the interest, tension, and excitement are highest.
Conflict- the problem or struggle in a story
Dialogue – speech between characters in a play
Narrator – a person who tells a story; often spoken in the 3rd person, but may also
be from the 1st person point of view
Playwright – a person who writes the action, dialogue, and directions for movement
in a play
Pantomime – the use of body movements and facial expressions to portray a
character or situation
Plot – a sequence of events that forms a story or drama; problem and solution
Scenery – painted boards, screens, or three-dimensional units that form the
background of a play and enclose the acting area
Script – a copy of a play that provides stage directions and dialogue
Set – the scenery, props, and furniture onstage; also a term for placing props and
scenery
Stage directions – an instruction written as part of the script of a play, indicating
stage actions, movements of performers, or production requirements
Stage left - The left side of the stage from the perspective of an actor facing the
audience
Stage right - The right side of the stage from the perspective of an actor facing the
audience
Theme – the message a play or drama communicates about its subject, such as
“greed will lead to trouble”
Tone – the use of inflection to communicate feelings
The 3rd should be correct: <span>If you pay attention to his words, you can tell he has a bias toward cats. </span>
The statement that is false is "Since its introduction to the masses, television has always been viewed positively." This statement is obviously false because it has a generalization in it that cannot be proven with any evidence one way or the other. In fact, if we think about it on a personal level, we do not even view television as "always" positive. However, it can be proven that advancements in news print and the penny papers did help promote literacy among all classes in America. Radio did excel as a medium that provided outstanding entertainment for the masses. America does frequently pride itself on its leadership role in technological advancement.
At the conclusion of The Mark of Athena, Annabeth and Percy tumble into a pit leading straight to the Underworld. The other five demigods have to put aside their grief and follow Percy’s instructions to find the mortal side of the Doors of Death. If they can fight their way through the Gaea’s forces, and Percy and Annabeth can survive the House of Hades, then the Seven will be able to seal the Doors both sides and prevent the giants from raising Gaea. But, Leo wonders, if the Doors are sealed, how will Percy and Annabeth be able to escape?
They have no choice. If the demigods don’t succeed, Gaea’s armies will never die. They have no time. In about a month, the Romans will march on Camp Half-Blood. The stakes are higher than ever in this adventure that dives into the depths of Tartarus.
