Holden was narrating the story in a confusing and untrustworthy manner because he also was not sure who he was really talking about. He clearly did not want to put blame on a single person. It was also the author's intention to confuse the readers to give the twist at the end more striking.
To use someone who is not a professional in a field as a source to support a theory/argument in that field. ex) to use a famous wrestler as authority to speak about astronomy. they are famous so people will listen to their authority, even if there’s no correlation to their expertise and the topic of space
Answer:
I believe it is the first answer, that Huskies are hardy, powerful animals.
Explanation:
This excerpt is pointing to how the husky relates to hard times and how it has survived through these hard times. This shows that the husky is hardy and strong. I hope this helps, and If I am wrong, please tell me. Thanks and BRAINLIEST PLEASE!
In this paragraph from an interpretive literary analysis of William Shakespeare's Hamlet, the term <em>allusion</em> should be changed to the term <em>irony</em>.
This is a very common literary device where a state of affairs or events end up being the contrary to what the readers expect and often amazes the audience.
In this particular part of the play, Hamlet, who is supposed to kill Laertes with his sword, ends up being hurted and poisoned by his own sword. His lack of attention ends with his life at the same moment he ends Laerte's.
This is a very unexpected outcome because Hamlet was about to fulfill his will, but because of his inattention, the situation ends with his life as well.
The right answer is D) complexity of character. Realism (1861- 1914) was an artistic movement that began in 19th century France. Artists and writers aimed for detailed realistic and factual description. They tried to represent events and social conditions as they actually are, without idealization. In the realistic plot, the character is more important than action and the plot itself; complex ethical choices are often the subject. Characters appear in the real complexity of temperament and motive. Humans control their destinies; characters act on their environment rather than simply reacting to it.
