the answer should be: The study's construct validity
A study's construct validity refers to the degree to which the experiments made in the study actually measures what it intended to measure. This can be seen on the study's standard of measurement and the correlation between variables used in the measurement and the actual phenomenon.
After hearing the claimed made by the teacher, Clarissa's immediately question whether the act of bullying can be measured.
She brought up an important point. The teacher never really specify what act considered as 'bullying'. Depending on people's perception, some consider a slight discomfort from social interaction might be considered as bullying, while other people might have the threshold. Because of this, she can say that the study's construct validity is questionable.
When Jesus came as a stranger, the blessed ones: invited him in, nourished him, took care of him, and visited him in jail.
Come, you who are Blessed by my Father; take your inheritance, the kingdom prepared for you since the creation of the world. For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in, I was sick and you looked after me, I was in prison and you came to visit me....I tell you the truth, whatever you did for the least of these brothers of mine, you did for me.
Matthew 25: 34-40
Flat land high above sea level with a steep side is called a cliff
Answer:
Iconoclasm.
Explanation:
The practice of Iconoclasm was deeply rooted in the medieval ages. First instances came from the Byzantine empire where the reign of Leo third and Leo fifth witnessed wide-scale destruction of painting, idols, and monument which were sacred to religious practice in Christianity. A major iconoclast event took place in the time of Martin Luther where a section of the Radical reformation movement took the task of destruction of religious institutions. The main reason for this could be found in the ten commandments whose interpretation restricts the painting and construction of religious icons.
