Answer:
we need the rest of the question
The pair of figurative language from “The Caged Bird” that helps support the extended metaphor of freedom versus oppression is:
- Dawn bright lawn; grave of dreams
<h3>What is an extended metaphor?</h3>
An extended metaphor is used when the direct comparison between words is used in multiple successive lines and paragraphs.
In the poem above, freedom is represented by the dawn bright lawn while the grave of dreams signifies oppression.
Learn more about the extended metaphor here:
brainly.com/question/2237514
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Answer:
A. anecdotal, because it tells a narrative about enslaved people taking action for basic human rights.
Explanation:
Passage:
<em>The seeds for this system were sown in 1823 in the sugar colony of British Guiana—now Guyana—where John Gladstone, father of the future British prime minister William Gladstone, owned over a thousand slaves. John Smith, a young and idealistic English preacher who had recently come to the area, was becoming popular with those slaves. His inspiring sermons retold the story of Moses leading the Jews out of Egypt and to freedom. The sugar workers listened and understood: Smith was speaking not about the Bible, but about the present. That summer, after hearing one of Smith’s sermons, over three thousand slaves grabbed their machetes, their long poles, and rose up against their masters. The governor of the colony rushed toward the burning plantations, where he met a group of armed slaves, and asked them what they wanted.</em>
<em />
<em>"Our rights," came the reply. Here was Haiti—and for that matter America and France—all over again. The slaves insisted they were not property; like the Jews in Egypt, they were God's children, who were owed their basic human rights.</em>
This is a narrative.
<span>The right answer is C. God's Grandeur is an Italian Sonnet. We can know this because consists of fourteen lines, which are then split into two different sections - an octave and a sestet. There is also a sort-of turn in the middle between these two sections, in which the tone of the poem changes from discussing the natural world, and begins instead to discuss humanity.</span>
It might be saying that not everything fun has to be dangerous.