Answer:
Yes,
Explanation:
Home based women violence
Answer:
This is an example of a Cross-sectional Design.
Explanation:
A Cross-sectional design or study occurs when a researcher observers <em>various subjects of different aspects</em> such as age in a specific point in time, in order to observe the differences within the subjects.
In this case, we can clearly see it is this type of design since the researcher interviews children from ages 5, 9 and 13 in one specific moment in time.
Answer:
its to make sure that the bridge stays up in its place
Explanation:
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The answer is like the second choice, “Africa’s river systems made it easy for Europeans to reach the the African interior”. We can determine this is correct by cancelling out the other options.
1- yes, Africa WAS rich in natural resources, but the Europeans did not care much for that. They had come to Africa for trade and slaves.
3- similar to A, the Europeans weren’t there because they were running out of space, yes they did conquer and claim lands in Africa, but the purpose of them being there was goods.
4- a lot like C, but not very relevant at all, especially since at this time the Europeans who were traveling definitely did not farm, they wanted their goods already prepared.
Since the other options have been ruled out, I will explain 2 a little bit. Obviously, the Europeans had sailed to Africa. At first the remained on the edges of it, taking over ports and just sailing along picking up slaves and continuing west. A good example of an African river used by the Europeans is the Congo River. It branches out throughout all of Congo and it’s historical importance is that an explorer named Henry Morton Stanley used it to continue into Africa. Though he may not sound familiar, we’ve all heard the phrase “Doctor Livingstone, I presume”. It was Stanley who said this once meeting with him.
Kara Walker's Installation Rebellion! (Our tools were rudimentary, but we continued.) Combine Harvester by Kara Walker
Walker's signature style was cut from a popular 19th-century portrait, the paper cut. It comes from silhouette figures. Her characters are often placed in surreal scenes dealing with violence and historical depictions of African Americans. Among these works is 85 Feet of Slavery. Slavery!
Walker's paintings truly depict contemporary racism and the social and economic inequalities that continue to divide America. More puzzles than books, these are complex, multi-layered works that slowly reveal their meaning over time.
Walker clarified that her intention as an artist was not to create compelling images or to pose questions with simple answers. She also explained her use of silhouettes, stating, "Silhouettes say a lot with very little information, but that's also what stereotypes do."
Learn more about Kara walker at
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