The correct answer is A.
Antony reminds the plebeian listeners about all the good things that Caesar had done for them, lest they be forgotten. He confirms Brutus' accusations against Caesar that he was too ambitious, but at the same time refutes them, illustrating Caesar's modesty and common sense with a couple of examples. With this, Antony pays respect to his murdered friend, but also prepares the ground for his own political ascent, by cunningly denouncing the conspirators.
The answer is Abp Majha
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Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
Explanation:
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If not:
"Why do you always do that!?!"
would be different in tone from
"Why do you always do that?"
