Answer: Syntax is a set of rules in a language. It dictates how words from different parts of speech are put together in order to convey a complete thought. Syntax and diction are closely related. Diction refers to the choice of words in a particular situation, while syntax determines how the chosen words are used to form a sentence. More often than not, adopting a complex diction means a complex syntactic structure of sentences, and vice versa. In combination, syntax and diction help writers develop tone, mood, and atmosphere in a text, along with evoking readers’ interest. To convey meaning is one of the main functions of syntax. In literature, writers utilize syntax and diction to achieve certain artistic effects, like mood, and tone. Like diction, syntax aims to affect the readers as well as express the writer’s attitude.
Explanation:
Will be marked brainliest
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Just talk about anything
Troy Davis was not allowed to submit to the lie detector to prove his guilt before being executed, as a last resort to avoid lethal injection. His defenders accused the Court of racial discrimination.
Davis´s attorney, Stephen Marsh, has commented that the Georgia department of corrections rejected the request to take the polygraph test. However, until the last minute Davis, did not recognize himself guilty of the murder of police officer Mark McPhail in 1989.
In spite of the doubts about the sentence, lack of real evidence of Davis´s participation in that murder and numerous social protests, the supreme court of the United States rejected the last request of clemency.
In both cases we can infer, although the country fights in order to defeat the racism, is a currently present problem.
Answer:
The title "Borges and I" introduces the concept of dual identity that is core to Borges's essay. Borges contemplates the nature of identity as twofold. The "I" represents the inner identity, and the name "Borges" indicates the external identity. Creativity, for Borges, begins in the complex inner identity. It is influenced by personality and experience, such as the experience of reading literature. Borges points out that he finds himself more in the books that he has experienced than in those he has written. Thus, his inner identity is shaped by the things he reads, while his outer identity is represented by the things he writes. According to Borges, as soon as he takes an idea and makes it into a story or a book, it no longer belongs to his inner self but becomes part of his public "persona."
The dual nature of personality presented by Borges is problematic to the author. He expresses a feeling of loss when parts of him become falsified and magnified as they transfer to his public persona. Yet, Borges also recognizes the necessity of both parts of his identity. The literature that belongs to the Borges persona is also integral to the inner identity. Borges writes that "this literature justifies" his interior identity. It is the external expression of Borges's internal creative force. Though he struggles with that exterior persona, it is also essential to manifest his creativity.
