<span> "Ambush," O’Brien describes killing a man while serving in war. He had no intention of killing him—he reacted without thinking. O’Brien feels guilty about having killed another human being, even though his fellow soldier tries to soothe him with the logic that the man would have been killed eventually anyway. However, trying to justify having killed someone, O’Brien explains that his training as a soldier prompted him to act involuntarily when he lobbed the grenade upon spotting an enemy soldier. Twenty years later, long after the war has ended, O’Brien is unable to admit to his daughter, Kathleen, that he has killed another person. He feels guilt and denial about having killed a man, and experiences recurrent flashbacks and visions. Through his story, O’Brien conveys that a soldier is a changed person after he has witnessed such a war, and those who have not been in a war cannot begin to understand the emotional turmoil that soldiers go through.</span>
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The plot starts with an injured Narrator and his servant (injuries and such aren't clearly explained) who come into an abandoned mansion for refuge. The narrator admires paintings in the place and reads a book he found on a pillow, which tells about the paintings. He sees another painting in the shifted candlelight which shows a girl who he mistakenly thought was a real person. When the narrator starts to read on the painting it tells of the Painter and his bride, the painter very passionate but occupied with only his work and the wife happy in everything but despises his art. The painter asks his wife to sit as a model for his new painting, she agrees. But as the painter grew more obsessed with finishing his painting he didn't notice his wife growing paler as it seems his painting grows more life like. In the end when the painter brushes the last strokes he finally notices his wife is dead and the painting so very lifelike. The tone of the story moves from creepy, uncertain, to haunting, mysterious.
Answer: equal terms for all
Explanation:
