He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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Answer:
i ammmm but do you know where i can watch the new eps?
Explanation:
Adobe creative suite, is the most common but there is also GIMP, inkscape
Answer:
so that's a interesting question
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but I'm not 100% sure I'm sorry have you tried looking it up?
Answer:
The Exposure Triangle comprises aperture, shutter speed, and ISO. These three camera and lens controls work together to regulate the amount of light that makes it to the light-sensitive surface (aperture and shutter speed) and the sensitivity of that surface (film or digital ISO).
ISO refers to the sensitivity—the signal gain—of the camera's sensor.
In photography, shutter speed or exposure time is the length of time when the film or digital sensor inside the camera is exposed to light, also when a camera's shutter is open when taking a photograph. ... 1⁄500 of a second will let half as much light in as 1⁄250.
Shutter Speed: 1/8 sec (blurring motion – creative) It's showing him blurred, jumping, and there is a little bit of sharpness in his body, but it's a pretty slow shutter speed.
In a situation, a good rule-of-thumb to try is f/2.8. This gives you an in-focus area that extends all the way to the nose, mouth and eye that is further away from the camera, which should be enough to capture facial expressions in sharper detail.
A landscape image captured at f/16 to bring everything from foreground to background into focus.
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