Answer:
D. Imagination can be more appealing than dealing with reality.
Explanation:
In <em>Anne of Green Gables, </em>Anne never used to really talk to Marilla and Mathew. She always was in her imagination, which was very appealing to her. When she came from the orphanage, she did not say anything to her foster mom and dad either. She was always in her imagination. The answer is D. Imagination can be more appealing than dealing with reality.
I say expression so D. because the more expression you put in your work the more effort will be shown. From recent studies, they have shown the more effort and expression is ideal in art.
<h2>Who says i must another way/to fetch a ladder, by which your love/must climb a birds nest soon when it is dark in romeo and juliet</h2>
<h3><em><u>The </u></em><em><u>N</u></em><em><u>urse</u></em></h3><h2 />
Answer:
Albert Chinualumogu Achebe was born on November 16, 1930, in Ogidi, a large village in Nigeria. Although he was the child of a Protestant missionary and received his early education in English, his upbringing was multicultural, as the inhabitants of Ogidi still lived according to many aspects of traditional Igbo (formerly written as Ibo) culture. Achebe attended the Government College in Umuahia from 1944 to 1947. He graduated from University College, Ibadan, in 1953. While he was in college, Achebe studied history and theology. He also developed his interest in indigenous Nigerian cultures, and he rejected his Christian name, Albert, for his indigenous one, Chinua.
In the 1950s, Achebe was one of the founders of a Nigerian literary movement that drew upon the traditional oral culture of its indigenous peoples. In 1959, he published Things Fall Apart as a response to novels, such as Joseph Conrad’s Heart of Darkness, that treat Africa as a primordial and cultureless foil for Europe. Tired of reading white men’s accounts of how primitive, socially backward, and, most important, language-less native Africans were, Achebe sought to convey a fuller understanding of one African culture and, in so doing, give voice to an underrepresented and exploited colonial subject.
Explanation:
