According to Aristotle, both tragedy and epic are forms of imitation. Tragedy imitates directly by means of mimesis and epic both directly and indirectly by means of mimesis and diegesis. While epic imitates solely by means of words, tragedy also imitates by means of spectacle. Both epic and tragedy portray people better or greater than the average spectator, unlike comedy which portrays people as worse than they actually are and uses humour to dissuade us from acting badly (Aristotle's lost treatise on comedy may be summarized in the Tractatus Coislinianus; see also Eco, The Name of the Rose for interesting view of Aristotle on comedy)
Due to practical constraints of production, tragedy ideally has a single unified action which is often restricted to a specific time and place. and a small n umber of characters, while epic has a broader scope of coverage.
The Commerce Clause<span> describes an enumerated </span>power<span> listed in the United </span>States Constitution<span> (Article I, Section 8, Clause 3). The clause </span>states<span> that the United </span>States<span> Congress shall have </span>power "To regulate<span> Commerce with foreign Nations, and </span>among<span> the several </span>States<span>, and with the Indian Tribes."</span>
Answer:
The Freikorps
Explanation:
The Freikorps were rebellious military soldiers from WWI that had a positive impact on German society. Former senior officers in the German Army began raising private armies after the First World War whom we called Freikorps. They played a key role in borders by preventing the Red army from entering Germany. With the regulations and laws after signing the treaty of Versailles Germany felt necessary to develop a secret army to protect its nation and people.
