Answer:
i would say it would be direct
I am seated in one of the last rows of chairs reserved for the audience who will attend the Barnard College Graduation Ceremony. The climate is pleasant and that is why everyone wears comfortable clothes, but consistent with the occasion. We didn't see a cloud in the sky and the environment has a fresh wind, totally balancing the feeling of warmth coming from the sun.
The chairs are white, plastic, but big enough to accommodate my body.
A few minutes after my arrival, the ceremony began, soon the graduates entered and settled in the place reserved for them and in a few minutes we can hear Toni Morrison's speech.
The speech was very emotional and highlighted the challenges and advantages of our professionals who were being trained that day. An important point of the speech, impressed me, when Morrison pointed out the importance of this new generation of professionals looking for equality and gender in their workplaces, since the women present there and those who still entered the job market, struggled to get their diplomas and have a good academic life and for that reason they deserve to be respected and have their rights guaranteed, as well as their wishes, capacity and autonomy respected.
The third-person point of view used by Sinclair is intended
to achieve his resolution, by focusing on what Jurgis understands and feels. The narrator concentrates on the main character Jurgis, his
emotions and his thoughts, and the readers also get an perception on other
minor characters’ thought processes.
Answer:
All you have to do is... do ur own work :)
Explanation:
True
In Coleridge's Biographia Literaria, he says that it is legitimate to call any composition composed using rhyme and meter a poem. In the text he says, "If a man chooses to call every composition a poem, which is rhyme, or measure, or both, I must leave his opinion uncontroverted." He goes on to repeat this when he says, "the composition will be a poem, merely because it is distinguished from composition in prose by metre, or by rhyme, or by both conjointly." In both of these he asserts that a poem is a composition with rhyme and meter.
