Answer:
I believe it's the first one forgive me if I'm wrong tho:/
Reappearing as the rich Count of Monte Cristo, Dantès<span> begins his revenge on the three men responsible for his unjust imprisonment: Fernand, now Count de Morcerf and Mercédès' husband; Danglars, now a baron and a wealthy banker; and Villefort, now procureur du roi.</span>
It identifies the focus and method of the research project.
AND
it provides important scientific and medical data to the public.
Answer:
Who is the real monster in Frankenstein?
Victor Frankenstein is the real monster. In 1972, Gaylin lamented that "the tragic irony is not that Mary Shelley's 'fantasy' once again has a relevance. The tragedy is that it is no longer a 'fantasy'—and that in its realization we no longer identify with Dr. Frankenstein but with his monster.".
Explanation:
The true name of the monster was never revealed, instead many gave it the last name of his creator, Victor Frankenstein. Although perhaps that was society’s intent while repurposing this story, to refer to the real monster himself, Mr. Victor Frankenstein; the man who created and abandoned a creature that was capable of destruction. Shelley did not give the hideous creature a name, perhaps for a reason. To not name something dehumanizes it and makes that thing an It – lack of identify due to no name fear of unknown. Yet she gives it such human characteristics by allowing the beast to talk, read, learn another language and even have the capabilities of emotions. Connect better, Sometimes the real monster is not the hideous beast standing in front of you, but rather the beast looking back at you in the mirror. Marry Shelley related Frankenstein’s creation as the product of neglect and lack of responsibility by the creator, a situation all too relevant to today’s society, specify that Mary Shelley wrote the book.
The monster did not choose to be created, he did not choose to look the way that he did, he did not choose to be rejected by everyone around him. As he tells Victor when he approached him in the Alps, “I am malicious because I am miserable.” emphasize what the deeper reasoning is. analyze. There is no moral excuse for the monster’s killing spree, but there may have been a deeper reasoning for Shelley having the monster express this to his creator and possess such strong emotions. When the beast was created, he was brought to the world and left to interact with no one but himself. He discusses with Victor how hard it was for him to even walk around because people would scream in fear at his appearance; Even his own creator left him. clarify that i think the monster is a monster because of doctor, there are two monsters.
Answer:
Explanation:
Romanticism concerns itself with ideals. Realism concerns itself with more concrete, factual, everyday matters. Romanticism idealizes nature, while realism attempts to address the often harsh facts of nature in a matter-of-fact fashion. The two schools share nearly nothing as common ground
