I think it’s A im not sure
Answer:
Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
Explanation:
Prince Escalus appears in Acts 1 and 3 to end the duels between the families and to hand out appropriate punishments to the people who have been fighting. He is also a mechanism for the audience to know or learn specific details of the brawls that may have been missed. In both Act 1 and 3, Benvolio recounts the fights to the Prince.
Escalus gives punishments that will significantly change the fate of the characters, and, if those punishments had not been given, would significantly change the direction of the play. His ruling that anyone caught fighting again in Act 1 would be killed, makes Romeo's banishment in Act 3 necessary, thus forcing his and Juliet's actions in Acts 4 and 5.
