Answer:
And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes but after a certain point I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"—it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
I don’t know this for sure but I think it’s man vs society if it’s wrong I’m sorry I think this because he can’t get a job and job has to do with society right so if he can’t get a job during the Great Depression which was something that effected the society. So I’m thinking it’s man vs society
The role of a foil in a literary work to to provide contrast against the protagonist, in order to further highlight one or more characteristics of the protagonist.
The lines from the poem The Lady’s Dressing Room by Jonathan Swift that would help the reader infer Celia’s social class are:
Five hours, (and who can do it less in?) / By haughty Celia spent in dressing; /The goddess from her chamber issues, / Arrayed in lace, brocades and tissues.
It is a satire about an upper-class woman’s dressing room. Women of higher classes tend to spend more time embellishing themselves than women of lower classes do. They care more about their physical appearance.
On the macro scale, social structure<span> is the system of socioeconomic stratification </span><span>, </span>social<span> institutions, or, other patterned relations between large </span>social<span> groups. On the meso scale, it is the </span>structure<span> of </span>social<span> network ties between individuals or organizations.</span>
