Adiós, mamá El hombre es desagradable con la mujer al principio del cortometraje porque no la 1. y es un poco 2. También él es 3
. y de 4. Él cambia de actitud cuando la mujer comienza a llorar porque sus sentimientos lo 5. Indica que él es 6. afuera y 7. adentro. El director marca el cambio de estado anímico con la 8. El fallo en la trama es que la máquina no reconoce un 9. La mujer del cortometraje es 10. y 11. Ella puede llorar cuando realmente no siente dolor porque es 12. En el futuro el hombre va a reaccionar con 13. ante el dolor ajeno. El autor del cortometraje quiere comunicarnos que todo no es como 14. y que las películas pueden y con frecuencia sí nos 15.
Goodbye, mom The man is unpleasant with the woman at the beginning of the short film because he doesn't 1. and it's a little 2. He's also a 3. and 4. He changes his attitude when the woman starts crying because her feelings 5 him. It indicates that he is 6. outside and 7. inside. The director marks the change of state of mind with 8. The flaw in the plot is that the machine does not recognize a 9. The woman in the short film is 10. and 11. She can cry when she does not really feel pain because it is 12. In the future man will react with 13. to the pain of others. The author of the short film wants to tell us that everything is not like 14. and that movies can and often do 15.n:
Yo como tacos. Verbs in the present tense are typically conjugated in a pattern. They have specific rules and conjugations that have to be followed. Find the rules and you will succeed.
ER verbs ending conjugations are verbs with infinitives ending in -er form a second group of regular verbs in Spanish, often called second conjugation verbs.
