Art Wood, an award-winning political cartoonist himself, collected more than 16,000 political cartoons by hundreds of the leading creators of the 'ungentlemanly art,' a phrase that is commonly used to describe this type of graphic satire. He used the word “illustration” to describe the enormous talent and craft that went into a work of art produced to capture a moment in time. From the nineteenth century's Gilded Age to recent times, political illustrations have appeared in magazines, editorial pages, opinion pages, and even on the front pages of American newspapers. These visual editorials reflect multiple viewpoints conveyed by a wide variety of artistic approaches, including the classic cross hatching techniques of Harper's Weekly cartoonist Thomas Nast, the sweeping brush work of Ding Darling, the rich crayon line work of Rube Goldberg and Bill Mauldin, and the painterly styles of contemporary cartoonists Paul Conrad and Patrick Oliphant. The broad spectrum of political perspectives informs our understanding not only of the past but also of the present.
Thomas Nast
Senator James G. Blaine was an extremely popular Republican politician in the nineteenth century. He might have been elected president if he had not been continually dogged by charges of corruption. In 1888, when Blaine returned from a lengthy European trip, he refused to run for president, and instead supported Benjamin Harrison's campaign. However, Blaine's enormous popularity caused cartoonist Thomas Nast (1840–1902) to characterize him as the “uncrowned king” of the Republican Party. Nast defined American political cartooning in the nineteenth century. Through his work for Harper's Weekly, he popularized such American political symbols as the Republican elephant and the Democratic donkey.
Thomas Nast. The Crown Covers a Multitude of Shortcomings. Sir James (G.B.) “No one will miss it now, you know,” 1888. Published in The Daily Graphic, September 27, 1888. Ink with scraping out over graphite underdrawing. Art Wood Collection of Cartoon and Caricature, Prints and Photographs Division, Library of Congress (1)
Answer:
you have to prob put a quote or saying and then describe it i guess
Explanation:
Answer:
dear friend,
stay inside, if you need to go outside wear gloves and a mask, when you come home please wash your hands then take a shower and burn the clothes you just wore to go outside. Remember...PEOPLE ARE DYING so keep you, your family, and others safe, goodbye :)
Explanation:
No just once and that whole paragraph is suppose to be about that topic
Answer:
The tribe’s relationship with Enkai is crucial to them.
Explanation:
According to a different source, the passage that is included with this question is:
<em>Our relationship with Enkai is essential to the tribe. Enkai is neither male nor female. The sky god is powerful, but can change from nurturing to vengeful depending on our behavior. Sometimes Enkai is Enkai Narok, the Black God, happy with us and blanketing the sky with dark clouds that pour out rain to nourish the plains. When angry, though, Enkai becomes Enkai Nonyokie—the Red God. In these times, the sun grows incredibly hot until the earth dries up and becomes barren. Because of this, we work to keep Enkai happy.</em>
Although the passage mentions many different things about Enkai, the main idea that it tries to convey is that the people have a relationship with Enkai that is crucial to their lifestyle and their well-being. In this passage, we learn that the people have various beliefs about Enkai, but also that they work tirelessly to keep Enkai happy.
