Ricochet is the rebound that happens when you fire a gun at an object that deflects the bullet. In other words, fire all you want at Sia because anything negative will just be deflected.
Lyrically, Sia’s referring to the criticism and negativity that’s directed at her – the bullets – but she won’t be affected at all. She’s strong and immune to it like titanium is to bullets.
Hope this helps.
An archetype is a typical example or representation of someone or something that anyone can recognize an associate, it could referer to either appearance or ways to act.
Writers use archetypes to have a base on the creation of their characters, besides archetypes help especially the main characters to step up from the others, so readers will find easier to see them, understand them and relate to them.
Taking this in consideration de correct answer is D. To show the arc of how the character changes. all of the decisions and acts of any character are there because of their personality.
The other options are not correct because in A) it is presented as an identification tag and it is more like a logical reason why characters do something. B) talks about the setting which doesn't have anything to do with archetypes. C) Even when archetypes represent universal patterns of human nature that's not what the writers show as a result on their work
Answer:
Impunity is an exception to a punishment or sanction. Saves you from living it may be by law.
You feel power, proud, with a lot of ego and without guilt why can't they punish you.
And if you are someone that want to give the punishment but you can't, you feel failure and helplessness.
I think it's D. Just think about it, use the process of elimination.
Answer:
a. Gaylord S. Gillis, II.
Explanation:
Gaylord S. Gillis, II would come first in the alphabetic filing order, although option a and b look similar their last names are different, option a ended with II while option b ended with Jr. alphabetically letter I comes before J so therefore the correct answer would be option a. Gaylord S. Gillis, II.
