The correct answer to this open question is the following.
The emergence of female artists in eighteen-century Europe was a consequence of the Enlightenment times in this region when science, political thinking, and arts opened new ways to openly express human ideas never before heard.
The prevailing social and cultural trends that affected these artists and their work favored the support for painters like the above-mentioned, who had the best opportunities to share their work than in previous Middle Ages times. Although at that time the role of women was not so prominent and was always behind the shadow of men, some artists could have the social connections to exhibit their paintings.
I would like to refer to the case of Angela Kauffman, a Swiss painter (1741-1807). She was considered a Neoclassic painter that could successfully exhibit her works in places such as Italy and Great Britain. She specialized in landscape and decorative figures.
could you put a link or something of the article
Answer:
its becuase of him returning to the people after receiving the commandments
Explanation:
The depiction of a horned Moses stems from the description of Moses' face as "cornuta" ("horned") in the Latin Vulgate translation of the passage found at Exodus chapter 34, specifically verses 29, 30 and 35, in which Moses returns to the people after receiving the commandments for the second time
did this help?
B False since it’s impossible unless they had a man who remembered it all
